The Hamburg Kunsthalle is one of the largest art museums in the Germany. The Kunsthalle has its origins in 1849. The collection grew quickly, and it soon became necessary to provide a building. The original red brick Kunsthalle was built from 1863 to 1869, designed by architects Georg Theodor Schirrmacher and Hermann von der Hude, and financed largely through private donations. The first director became the art historian and educator Alfred Lichtwark (1852–1914). His successor during the interwar period was Gustav Pauli, who also oversaw the completion of the Kuppelsaal (domed-hall) extension, the Kunsthalle's first annex, designed by Fritz Schumacher and erected between 1914 and 1921.
The Kunsthalle is divided into four different sections: the Gallery of Old Masters, the Gallery of 19th-century Art, the Gallery of Classical Modernism and the Gallery of Contemporary Art.
The highlights of the collection include the medieval alters of Master Bertram and Master Francke, 17th-century Dutch paintings, works of early to mid 19th century German Romanticism, and collections of impressionism and classic modernism. The Kunsthalle Museum is also known for its international contemporary art collections and exhibitions, which include post-1950 Pop Art, conceptual art, video art and photography.
References:Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.