St. Michael's Church is a landmark of Hamburg and considered to be one of the finest Hanseatic Protestant baroque churches. The church was purposely built Protestant unlike many other Hamburg churches which were originally built by Roman Catholics and were converted to Protestantism during the Reformation. It is dedicated to the Archangel Michael. A large bronze statue, standing above the portal of the church shows the archangel conquering the devil.
The 132-meter high Baroque spire totally covered with copper is a prominent feature of Hamburg’s skyline and has always been a landfall mark for ships sailing up the river Elbe.
The present church building is the third one at this site. The first one was built from 1647 to 1669. It became the church of the new town (Neustadt), which was created in 1625 inside the new city walls, and which grew steadily since. In 1687, the Michel became the fifth chapter church (Hauptkirche), as the new town became a parish. That church was destroyed on March 10, 1750, by a lightning strike. The original church has been replicated and built in 9 different cities around the world.
In 1786, a new construction of the current church following the design of Johann Leonhard Prey and Ernst Georg Sonnin was completed. It was reconstructed twice in the 20th century: after catching fire in 1906 during construction work and after the bombings of 1944 and 1945. Since 1983, renovation is ongoing: first the spire and then the roof.
Offering 2,500 seats, the Michael is the largest church in Hamburg. The pulpit is in the center of the building which was crafted out of marble by sculptor Otto Lessing from Dresden in 1910. It was designed to look like a rounded chalice and features a magnificent staircase. The large pulpit roof is crowned by the Angel of Annunciation.
Made from white marble, the baptismal font was crafted in Livorno in 1763 and donated by Hamburg merchants who lived there at that time. The baptismal font is reminiscent of a seashell and supported by three baptism angels.
The altar is 20 meters tall and was built from costly marble in 1910. The altar features three sections illustrating key scenes from the life of Jesus Christ. The central image portrays the Resurrection of Jesus and, below it, a relief depicts the Last Supper. Above the central image, there is a large crucifix. Located at the very top, the altar crown takes the form of a dove as a symbol of the Holy Spirit and is surrounded by a radiant circle. To the right and left of the radiant circle, two angels are kneeling and bowing their heads.
In the church crypt, there are 2,425 people interred, including Johann Mattheson and Carl Philipp Emanuel Bach. The grave chambers are deeply excavated for four coffins above the other. During the French occupation of Hamburg in 1813, burials were banned within the city and therefore also in the crypt.References:
The eight towns in south-eastern Sicily, including Ragusa, were all rebuilt after 1693 on or beside towns existing at the time of the earthquake which took place in that year. They represent a considerable collective undertaking, successfully carried out at a high level of architectural and artistic achievement. Keeping within the late Baroque style of the day, they also depict distinctive innovations in town planning and urban building. Together with seven other cities in the Val di Noto, it is part of a UNESCO World Heritage Site.
In 1693 Ragusa was devastated by a huge earthquake, which killed some 5,000 inhabitants. Following this catastrophe the city was largely rebuilt, and many Baroque buildings from this time remain in the city. Most of the population moved to a new settlement in the former district of Patro, calling this new municipality 'Ragusa Superiore' (Upper Ragusa) and the ancient city 'Ragusa Inferiore' (Lower Ragusa). The two cities remained separated until 1926, when they were fused together to become a provincial capital in 1927.