St. Michael's Church is a landmark of Hamburg and considered to be one of the finest Hanseatic Protestant baroque churches. The church was purposely built Protestant unlike many other Hamburg churches which were originally built by Roman Catholics and were converted to Protestantism during the Reformation. It is dedicated to the Archangel Michael. A large bronze statue, standing above the portal of the church shows the archangel conquering the devil.
The 132-meter high Baroque spire totally covered with copper is a prominent feature of Hamburg’s skyline and has always been a landfall mark for ships sailing up the river Elbe.
The present church building is the third one at this site. The first one was built from 1647 to 1669. It became the church of the new town (Neustadt), which was created in 1625 inside the new city walls, and which grew steadily since. In 1687, the Michel became the fifth chapter church (Hauptkirche), as the new town became a parish. That church was destroyed on March 10, 1750, by a lightning strike. The original church has been replicated and built in 9 different cities around the world.
In 1786, a new construction of the current church following the design of Johann Leonhard Prey and Ernst Georg Sonnin was completed. It was reconstructed twice in the 20th century: after catching fire in 1906 during construction work and after the bombings of 1944 and 1945. Since 1983, renovation is ongoing: first the spire and then the roof.
Offering 2,500 seats, the Michael is the largest church in Hamburg. The pulpit is in the center of the building which was crafted out of marble by sculptor Otto Lessing from Dresden in 1910. It was designed to look like a rounded chalice and features a magnificent staircase. The large pulpit roof is crowned by the Angel of Annunciation.
Made from white marble, the baptismal font was crafted in Livorno in 1763 and donated by Hamburg merchants who lived there at that time. The baptismal font is reminiscent of a seashell and supported by three baptism angels.
The altar is 20 meters tall and was built from costly marble in 1910. The altar features three sections illustrating key scenes from the life of Jesus Christ. The central image portrays the Resurrection of Jesus and, below it, a relief depicts the Last Supper. Above the central image, there is a large crucifix. Located at the very top, the altar crown takes the form of a dove as a symbol of the Holy Spirit and is surrounded by a radiant circle. To the right and left of the radiant circle, two angels are kneeling and bowing their heads.
In the church crypt, there are 2,425 people interred, including Johann Mattheson and Carl Philipp Emanuel Bach. The grave chambers are deeply excavated for four coffins above the other. During the French occupation of Hamburg in 1813, burials were banned within the city and therefore also in the crypt.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.