St. James' Church is one of the five principal churches of Hamburg. The history of the church goes back to 1255 when St. James' was a small chapel located outside the Hamburg city walls. After these were extended in 1260, it became part of the Hamburg city territory.
Between 1350 and 1400, the chapel was replaced by a hall church with three naves, similar to St. Peter's. Around one hundred years later, a fourth nave was added to the south side of the structure. The sacristy in the northeast also comes from this time (1438) and is today Hamburg's only example of secular gothic architecture.
From 1806 to 1813, when Hamburg was occupied by Napoleonic troops, the church was used mainly as stables.
The second tower, erected in 1826-1827 after the previous one had become dilapidated, was destroyed in 1944, along with the rest of the church building, by bombing during World War II. Only the historic interior furnishings were saved. It was not until 1963 that St. James' re-emerged, built to the medieval design, albeit with a modern spire.
The famous Arp Schnitger organ of 1693 in the west gallery is, with its 60 registers and around 4,000 pipes, is the largest baroque organ in Northern Europe. From 1989 to 1993, the organ was completely restored, and since its rededication at Easter 1993 it can be heard every Sunday during services.
The 34 pictures in the organ gallery are the works of Otto Wagenfeldt and Joachim Lundt. They were created to portray the Bible in illustrations which everyone could appreciate and understand.
St. James' has three medieval altars: the Holy Trinity Altar in the Main Choir (c. 1518, the St. Peter Altar in the first south nave (1508), and the St. Luke Altar in the second south nave (1500) that originally comes from the Hamburg Cathedral.
Also worthy of notice is the Ministers' Room, which originally served as a library. Since 1543, it has been the collection room of the Cathedral ministers, and was remodelled in 1710. The ceiling murals, with their civic virtues, show the importance of maintaining parish to the city regiment. They were painted, like the landscape paintings on the wall, by Johann Moritz Riesenberger. Coats of arms on the walls name the pastors, vicars, and jurors who have served the parish since the sixteenth century.References:
Château de Falaise is best known as a castle, where William the Conqueror, the son of Duke Robert of Normandy, was born in about 1028. William went on to conquer England and become king and possession of the castle descended through his heirs until the 13th century when it was captured by King Philip II of France. Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840 it has been protected as a monument historique.
The castle (12th–13th century), which overlooks the town from a high crag, was formerly the seat of the Dukes of Normandy. The construction was started on the site of an earlier castle in 1123 by Henry I of England, with the 'large keep' (grand donjon). Later was added the 'small keep' (petit donjon). The tower built in the first quarter of the 12th century contained a hall, chapel, and a room for the lord, but no small rooms for a complicated household arrangement; in this way, it was similar to towers at Corfe, Norwich, and Portchester, all in England. In 1202 Arthur I, Duke of Brittany was King John of England's nephew, was imprisoned in Falaise castle's keep. According to contemporaneous chronicler Ralph of Coggeshall, John ordered two of his servants to mutilate the duke. Hugh de Burgh was in charge of guarding Arthur and refused to let him be mutilated, but to demoralise Arthur's supporters was to announce his death. The circumstances of Arthur's death are unclear, though he probably died in 1203.
In about 1207, after having conquered Normandy, Philip II Augustus ordered the building of a new cylindrical keep. It was later named the Talbot Tower (Tour Talbot) after the English commander responsible for its repair during the Hundred Years' War. It is a tall round tower, similar design to the towers built at Gisors and the medieval Louvre.Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840, Château de Falaise has been recognised as a monument historique by the French Ministry of Culture.
A programme of restoration was carried out between 1870 and 1874. The castle suffered due to bombardment during the Second World War in the battle for the Falaise pocket in 1944, but the three keeps were unscathed.