St. Peter's Church in Hamburg stands on the site of many former cathedrals. It was probably built originally in 1189 and first documented in 1195. In about 1310, the cathedral was rebuilt in a Gothic style and was completed in approximately 1418. The bronze lion-head door handles, the oldest work of art of Hamburg, date from the foundation of the tower in 1342.
A second tower, built in 1516, towered above even the Hamburg Cathedral. Decay caused it to be torn down between 1804 and 1807, after it had been used by Napoleonic soldiers as a horse stable. The building fell victim to the great fire that swept Hamburg in May 1842. Most works of art, such as the lion-head door handles, were saved.
Only seven years after the great fire, the Gothic church was rebuilt by architects Alexis de Chateauneuf and Hermann Felsenfest in its previous location. In 1878, the 132 meter high cathedral tower was finished. The church got through the Second World War relatively intact. In 1962, as a nearby community center was being built, the foundations of a medieval tower, the Bischofsturm ('Bishop's Tower') were discovered.
The best known artworks in St Peter's are the lion-head door handles, located in the left wing of the west portal. However, the cathedral contains many additional works of art.
In the north portion of the cathedral, a Gothic mural from approximately 1460 shows the first bishop Ansgar of Bremen. A column in the choir area contains a statue by Bernt Notke, from around 1480-1483, showing Archbishop Ansgar and the Hamburg Marienkirche, which he founded.
From the 17th century, there are two oil paintings by Gottfried Libalt: Jacob's Dream and Christ's Birth.
The painting Christmas 1813 in St. Peter's is on a column in the south part of the cathedral. It shows the Hamburg citizens who, when they did not provide food to Napoleon's occupying troops, were locked in the church by the soldiers. In the front of the cathedral are neo-Gothic representations of the evangelists. A modern bronze sculpture by Fritz Fleer shows Dietrich Bonhoeffer dressed as a convict with his hands bound.References:
The Amphitheatre of the Three Gauls was part of the federal sanctuary of the three Gauls dedicated to the cult of Rome and Augustus celebrated by the 60 Gallic tribes when they gathered at Lugdunum (Lyon). The amphitheatre was built at the foot of the La Croix-Rousse hill at what was then the confluence of the Rhône and Saône.
Excavations have revealed a basement of three elliptical walls linked by cross-walls and a channel surrounding the oval central arena. The arena was slightly sloped, with the building"s south part supported by a now-vanished vault. The arena"s dimensions are 67,6m by 42m. This phase of the amphitheatre housed games which accompanied the imperial cult, with its low capacity (1,800 seats) being enough for delegations from the 60 Gallic tribes.
The amphitheatre was expanded at the start of the 2nd century. Two galleries were added around the old amphitheatre, raising its width from 25 metres to 105 metres and its capacity to about 20,000 seats. In so doing it made it a building open to the whole population of Lugdunum and its environs.