St. Peter's Church in Hamburg stands on the site of many former cathedrals. It was probably built originally in 1189 and first documented in 1195. In about 1310, the cathedral was rebuilt in a Gothic style and was completed in approximately 1418. The bronze lion-head door handles, the oldest work of art of Hamburg, date from the foundation of the tower in 1342.
A second tower, built in 1516, towered above even the Hamburg Cathedral. Decay caused it to be torn down between 1804 and 1807, after it had been used by Napoleonic soldiers as a horse stable. The building fell victim to the great fire that swept Hamburg in May 1842. Most works of art, such as the lion-head door handles, were saved.
Only seven years after the great fire, the Gothic church was rebuilt by architects Alexis de Chateauneuf and Hermann Felsenfest in its previous location. In 1878, the 132 meter high cathedral tower was finished. The church got through the Second World War relatively intact. In 1962, as a nearby community center was being built, the foundations of a medieval tower, the Bischofsturm ('Bishop's Tower') were discovered.
The best known artworks in St Peter's are the lion-head door handles, located in the left wing of the west portal. However, the cathedral contains many additional works of art.
In the north portion of the cathedral, a Gothic mural from approximately 1460 shows the first bishop Ansgar of Bremen. A column in the choir area contains a statue by Bernt Notke, from around 1480-1483, showing Archbishop Ansgar and the Hamburg Marienkirche, which he founded.
From the 17th century, there are two oil paintings by Gottfried Libalt: Jacob's Dream and Christ's Birth.
The painting Christmas 1813 in St. Peter's is on a column in the south part of the cathedral. It shows the Hamburg citizens who, when they did not provide food to Napoleon's occupying troops, were locked in the church by the soldiers. In the front of the cathedral are neo-Gothic representations of the evangelists. A modern bronze sculpture by Fritz Fleer shows Dietrich Bonhoeffer dressed as a convict with his hands bound.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.