St. Peter's Church in Hamburg stands on the site of many former cathedrals. It was probably built originally in 1189 and first documented in 1195. In about 1310, the cathedral was rebuilt in a Gothic style and was completed in approximately 1418. The bronze lion-head door handles, the oldest work of art of Hamburg, date from the foundation of the tower in 1342.
A second tower, built in 1516, towered above even the Hamburg Cathedral. Decay caused it to be torn down between 1804 and 1807, after it had been used by Napoleonic soldiers as a horse stable. The building fell victim to the great fire that swept Hamburg in May 1842. Most works of art, such as the lion-head door handles, were saved.
Only seven years after the great fire, the Gothic church was rebuilt by architects Alexis de Chateauneuf and Hermann Felsenfest in its previous location. In 1878, the 132 meter high cathedral tower was finished. The church got through the Second World War relatively intact. In 1962, as a nearby community center was being built, the foundations of a medieval tower, the Bischofsturm ('Bishop's Tower') were discovered.
The best known artworks in St Peter's are the lion-head door handles, located in the left wing of the west portal. However, the cathedral contains many additional works of art.
In the north portion of the cathedral, a Gothic mural from approximately 1460 shows the first bishop Ansgar of Bremen. A column in the choir area contains a statue by Bernt Notke, from around 1480-1483, showing Archbishop Ansgar and the Hamburg Marienkirche, which he founded.
From the 17th century, there are two oil paintings by Gottfried Libalt: Jacob's Dream and Christ's Birth.
The painting Christmas 1813 in St. Peter's is on a column in the south part of the cathedral. It shows the Hamburg citizens who, when they did not provide food to Napoleon's occupying troops, were locked in the church by the soldiers. In the front of the cathedral are neo-Gothic representations of the evangelists. A modern bronze sculpture by Fritz Fleer shows Dietrich Bonhoeffer dressed as a convict with his hands bound.References:
Hochosterwitz Castle is considered to be one of Austria's most impressive medieval castles. The rock castle is one of the state's landmarks and a major tourist attraction.
The site was first mentioned in an 860 deed issued by King Louis the German of East Francia, donating several of his properties in the former Principality of Carantania to the Archdiocese of Salzburg. In the 11th century Archbishop Gebhard of Salzburg ceded the castle to the Dukes of Carinthia from the noble House of Sponheim in return for their support during the Investiture Controversy. The Sponheim dukes bestowed the fiefdom upon the family of Osterwitz, who held the hereditary office of the cup-bearer in 1209.
In the 15th century, the last Carinthian cup-bearer, Georg of Osterwitz was captured in a Turkish invasion and died in 1476 in prison without leaving descendants. So after four centuries, on 30 May 1478, the possession of the castle reverted to Emperor Frederick III of Habsburg.
Over the next 30 years, the castle was badly damaged by numerous Turkish campaigns. On 5 October 1509, Emperor Maximilian I handed the castle as a pledge to Matthäus Lang von Wellenburg, then Bishop of Gurk. Bishop Lang undertook a substantial renovation project for the damaged castle.
About 1541, German king Ferdinand I of Habsburg bestowed Hochosterwitz upon the Carinthian governor Christof Khevenhüller. In 1571, Baron George Khevenhüller acquired the citadel by purchase. He fortified to deal with the threat of Turkish invasions of the region, building an armory and 14 gates between 1570 and 1586. Such massive fortification is considered unique in citadel construction.
Since the 16th century, no major changes have been made to Hochosterwitz. It has also remained in the possession of the Khevenhüller family as requested by the original builder, George Khevenhüller. A marble plaque dating from 1576 in the castle yard documents this request.
A specific feature is the access way to the castle passing through a total of 14 gates, which are particularly prominent owing to the castle's situation in the landscape. Tourists are allowed to walk the 620-metre long pathway through the gates up to the castle; each gate has a diagram of the defense mechanism used to seal that particular gate. The castle rooms hold a collection of prehistoric artifacts, paintings, weapons, and armor, including one set of armor 2.4 metres tall, once worn by Burghauptmann Schenk.