The amphitheatre of Toulouse-Purpan is constructed on a filled structure, unlike those in Arles, Nîmes, and the Colosseum in Rome, where a hollow structure composed of vaults and pillars supports the tiers. The cavea (the rows of seats intended to receive the public) is fifteen meters wide. This area is separated from the arena by a wall and bound at the outside by a high wall covered in brick. The cavea is divided into equal segments compartmentalized by twenty-three arched horizontal corridors, the vomitoria.
The main entrance to the amphitheatre is located to the north of the arena and is 4.20 meters wide. The arch reproduces the height of the curved vault, which once covered the entry passage. The almond-like arena is sixty-two meters long by forty-six meters wide. Underneath this surface lies an underground network of drains, which leads to a vast ruined well in the center. This well catches the rainwater and allows for the rapid drainage of the arena, even today.
Abandoned at the end of the fourth century, the amphitheatre came to serve as a quarry. In this manner, the monument was completely stripped of its brick facing.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.