The original castle in n a rocky spur was supposedly built in 413 by the Visigoths on the side of a mountain, defended by almost inaccessible cliffs. This fortress controlled the Arnette and the Thoré valleys, overlooking the plain where the town of Mazamet now stands.
Pierre-Raymond de Hautpoul is the first known lord of Hautpoul (mentioned in 1084). He rebuilt the castle, constructed the town walls and built the fortified church of Saint-Pierre d'Hautpoul. He accompanied his suzerain Raymond IV of Toulouse on the First Crude to the Holy Land in 1098.
In the 13th century, the lord of Hautpoul and Auxillan was Izarn d'Hautpoul. He reputedly adopted the Cathar faith. The castle and town was besieged by Simon de Montfort in 1212 during the Crusade against the Cathars of the Languedoc. The town was occupied and burned. Its fortifications were destroyed. However the survivors seem to have returned to Catharism as soon as the Crusaders left.
Around 1560, Huguenots (French Protestants) appeared in the region. The castle was besieged again during the wars of Religion between Catholics and Huguenots.
Today, you can still see the long village of Hautpoul winding down the hillside, along with the vestiges of upper and lower castles. At its foot, the river Arnette still winds, and its waters are still perfect for making wool. The old lower town gate has been restored, with its meurtrière. The village is being rejuvenated: picturesque old houses are occupied by craftsmen and their workshops.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.