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Saint-Génis-des-Fontaines
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Founded: 819 ADCategory: Religious sites in France
Historical period: Frankish kingdoms (France)
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Saint-Génis-des-Fontaines Benedictine abbey is recorded for the first time in 819, in a document mentioning its abbot, Sentimir. Plundered and destroyed, it was rebuilt by order of King Lothair of France in 981. Later it came under the protection of the Counts of Roussillon and later of the Kings of Aragon. The abbey church was enlarged and re-consecrated in 1153. In the 13th century it gained a marble cloister on the north-eastern side. Subsequently the abbey declined, and in 1507 was united with Montserrat Abbey.
During the French Revolution, the monks were expelled and the complex divided between several owners. The church was reopened to worship in 1846, as the village's parish church dedicated to Saint Michael. The cloister, which had been dismantled and sold, was bought back and re-installed in its original location in the 1980s.
The abbey church was most likely built at the same time as the original monastery, in the 8th century. Of the original church there remain some of the foundation structures, which show its plan to have included a main apse and two deep side apses, with a long transept.
The 1153 enlargement, with the addition of the vaulted ceiling over the transept and nave, led to the reconstruction of the walls in order to support the additional weight of the roof vaults. The ceilings of the apses were also modified and decorated with frescoes, of which only a few traces remain today. The church kept the Latin Cross plan typical of Romanesque architecture, with a nave, transept and three apses. In the 17th century the church was enriched with Baroque altars.
The exterior has two bell towers from different ages. The larger one is located next to the transept and nave. The façade has several Romanesque sculptures and tombstones of monks and local notables. The main portal has an architrave with bas-reliefs commissioned by abbot Guillaume and realized in 1019-1020 in white marble from Céret. In the middle is portrayed Christ in majesty in a mandorla, supported by two archangels and flanked by two groups of three figures under the arcades.
The cloister was built in the 13th century, and was already completed in 1271. It has been supposed that a cloister existed here before, which would be the one depicted near the figures in the portal architrave, but no traces of it remain. The capitals supporting the 13th century cloister are in late Romanesque style. It has been suggested that they could originally have been painted.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.