Nancy, the temporary residence of a king without a kingdom – Stanislaw I Leszczynski, later to become Duke of Lorraine – is paradoxically the oldest and most typical example of a modern capital where an enlightened monarch proved to be sensitive to the needs of the public. Built between 1752 and 1756 by a brilliant team led by the architect Héré, this was a carefully conceived project that succeeded in creating a capital that not only enhanced the sovereign's prestige but was also functional. Since 1983, the architectural ensemble comprising the Place Stanislas, the extension of its axis, the Place de la Carrière, and the Place d'Alliance, has been on the list of UNESCO World Heritage Sites.
After the War of the Polish Succession in 1737, the Duchy of Upper Lorraine, of which Nancy was the capital, was given to Stanislaw I Leszczynski, former Ruler of Polish-Lithuanian Commonwealth and father-in-law to King Louis XV of France. An earlier ruler, Leopold, Duke of Lorraine, had undertaken a lot of reconstruction in Lorraine, which had been ravaged by a series of wars. He had surrounded himself by artists and architects, including Germain Boffrand, who trained Emmanuel Héré. Hence, Stanislaw found a pool of talent and experience to draw from on his arrival. The square was a major project in urban planning, dreamt up by Stanislaw I, as a way to link the medieval old town of Nancy and the new town built under Charles III in the 17th century.
In 1831, a bronze statue of Stanislas was placed in the middle of the square.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.