Nancy, the temporary residence of a king without a kingdom – Stanislaw I Leszczynski, later to become Duke of Lorraine – is paradoxically the oldest and most typical example of a modern capital where an enlightened monarch proved to be sensitive to the needs of the public. Built between 1752 and 1756 by a brilliant team led by the architect Héré, this was a carefully conceived project that succeeded in creating a capital that not only enhanced the sovereign's prestige but was also functional. Since 1983, the architectural ensemble comprising the Place Stanislas, the extension of its axis, the Place de la Carrière, and the Place d'Alliance, has been on the list of UNESCO World Heritage Sites.
After the War of the Polish Succession in 1737, the Duchy of Upper Lorraine, of which Nancy was the capital, was given to Stanislaw I Leszczynski, former Ruler of Polish-Lithuanian Commonwealth and father-in-law to King Louis XV of France. An earlier ruler, Leopold, Duke of Lorraine, had undertaken a lot of reconstruction in Lorraine, which had been ravaged by a series of wars. He had surrounded himself by artists and architects, including Germain Boffrand, who trained Emmanuel Héré. Hence, Stanislaw found a pool of talent and experience to draw from on his arrival. The square was a major project in urban planning, dreamt up by Stanislaw I, as a way to link the medieval old town of Nancy and the new town built under Charles III in the 17th century.
In 1831, a bronze statue of Stanislas was placed in the middle of the square.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.