The oldest remaining monastery in Styria, Benedictine Admont Abbey contains the largest monastic library in the world as well as a long-established scientific collection. It is known for its Baroque architecture, art, and manuscripts. The abbey's location on the borders of the mountainous Gesäuse National Park is of unusual scenic beauty.
Dedicated to Saint Blaise, Admont Abbey was founded in 1074 by Archbishop Gebhard of Salzburg and settled by monks from St. Peter's Abbey in Salzburg. The monastery prospered during the Middle Ages and possessed a productive scriptorium. Abbot Engelbert of Admont (1297–1327) was a famous scholar and author of many works. The wars against the Turks and the Reformation (Abbot Valentine was obliged to resign because of his Reformed views) caused a lengthy decline, but with the Counter-Reformation the abbey flourished once again. In addition to the secondary school, which later moved to Judenburg, there were faculties of theology and philosophy. Abbot Albert von Muchar was well known as an historian and taught at the University of Graz.
In the 17th and 18th centuries, the abbey reached a high point of artistic productivity, with the works of the world-famous ecclesiastical embroiderer Brother Benno Haan (1631–1720) and the sculptor Joseph Stammel (1695–1765). On April 27, 1865, a disastrous fire destroyed almost the entire monastery. While the monastic archives burned, the library could be salvaged. Reconstruction began the following year but was still not complete by 1890. The economic crises of the 1930s forced the abbey to sell off many of its art treasures, and during the period of the National Socialist government the monastery was dissolved and the monks evicted. They were able to return in 1946 and the abbey today is again a thriving Benedictine community.
Today the community at Admont consists of over 27 monks under Abbot Bruno Hubl. The abbey is responsible for 27 parishes, runs a secondary school with about 600 pupils and an old people's home in Frauenberg. Its various businesses and enterprises employ about 500 people, and it also has the management of the museums and collections detailed below.
The present church was designed by the architect Wilhelm Bücher to replace the former church after the fire of 1865. It is inspired by Regensburg Cathedral and was the first sacred building in Austria in the neo-Gothic style. It incorporates 12th century Romanesque side doors. The two west towers are 67 metres tall, and the facade contains figures of Saint Benedict and Saint Scholastica. The figure of the church's patron, Saint Blaise, tops the pinnacle of the west door.
The interior consists of a central aisle and two side aisles, off each of which are five side chapels and six altars. The picture on the altar of Mary, Maria Immaculata by Martino Altomonte (1657–1745), is surrounded by 15 carved medallions of the secrets of the rosary by Joseph Stammel. Both works of art were created in 1726 and survived the fire of 1856.
In a side chapel is located the famous crib of Admont, also by Stammel. It is open to view from 25 December to 2 February. The Gothic crucifix under the triumphal arch dated 1518 is ascribed to Andreas Lackner.
A statue of Saint Blaise stands on top of the high altar of white Carrara marble. The choir is decorated with early 18th century tapestries by Benno Haan. In the Chapel of St. Benedict is a Baroque Corpus Christi from the workshop of Johann Meinrad Guggenbichler.
The library hall, built in 1776 to designs by the architect Joseph Hueber, is 70 metres long, 14 metres wide and 13 metres high, and is the largest monastery library in the world. It contains c. 70,000 volumes of the monastery's entire holdings of c. 200,000 volumes. The ceiling consists of seven cupolas, decorated with frescoes by Bartolomeo Altomonte showing the stages of human knowledge up to the high point of Divine Revelation. Light is provided by 48 windows and is reflected by the original colour scheme of gold and white. The architecture and design express the ideals of the Enlightenment, against which the sculptures by Joseph Stammel of 'The Four Last Things' make a striking contrast.
The abbey possesses over 1,400 manuscripts, the oldest of which, from St. Peter's Abbey in Salzburg, were the gift of the founder, Archbishop Gebhard, and accompanied the first monks to settle here, as well as over 900 incunabulae.References:
The Beckov castle stands on a steep 50 m tall rock in the village Beckov. The dominance of the rock and impression of invincibility it gaves, challenged our ancestors to make use of these assets. The result is a remarkable harmony between the natural setting and architecture.
The castle first mentioned in 1200 was originally owned by the King and later, at the end of the 13th century it fell in hands of Matúš Èák. Its owners alternated - at the end of the 14th century the family of Stibor of Stiborice bought it.
The next owners, the Bánffys who adapted the Gothic castle to the Renaissance residence, improved its fortifications preventing the Turks from conquering it at the end of the 16th century. When Bánffys died out, the castle was owned by several noble families. It fell in decay after fire in 1729.
The history of the castle is the subject of different legends. One of them narrates the origin of the name of castle derived from that of jester Becko for whom the Duke Stibor had the castle built.
Another legend has it that the lord of the castle had his servant thrown down from the rock because he protected his child from the lords favourite dog. Before his death, the servant pronounced a curse saying that they would meet in a year and days time, and indeed precisely after that time the lord was bitten by a snake and fell down to the same abyss.
The well-conserved ruins of the castle, now the National Cultural Monument, are frequently visited by tourists, above all in July when the castle festival takes place. The former Ambro curia situated below the castle now shelters the exhibition of the local history.