The oldest remaining monastery in Styria, Benedictine Admont Abbey contains the largest monastic library in the world as well as a long-established scientific collection. It is known for its Baroque architecture, art, and manuscripts. The abbey's location on the borders of the mountainous Gesäuse National Park is of unusual scenic beauty.
Dedicated to Saint Blaise, Admont Abbey was founded in 1074 by Archbishop Gebhard of Salzburg and settled by monks from St. Peter's Abbey in Salzburg. The monastery prospered during the Middle Ages and possessed a productive scriptorium. Abbot Engelbert of Admont (1297–1327) was a famous scholar and author of many works. The wars against the Turks and the Reformation (Abbot Valentine was obliged to resign because of his Reformed views) caused a lengthy decline, but with the Counter-Reformation the abbey flourished once again. In addition to the secondary school, which later moved to Judenburg, there were faculties of theology and philosophy. Abbot Albert von Muchar was well known as an historian and taught at the University of Graz.
In the 17th and 18th centuries, the abbey reached a high point of artistic productivity, with the works of the world-famous ecclesiastical embroiderer Brother Benno Haan (1631–1720) and the sculptor Joseph Stammel (1695–1765). On April 27, 1865, a disastrous fire destroyed almost the entire monastery. While the monastic archives burned, the library could be salvaged. Reconstruction began the following year but was still not complete by 1890. The economic crises of the 1930s forced the abbey to sell off many of its art treasures, and during the period of the National Socialist government the monastery was dissolved and the monks evicted. They were able to return in 1946 and the abbey today is again a thriving Benedictine community.
Today the community at Admont consists of over 27 monks under Abbot Bruno Hubl. The abbey is responsible for 27 parishes, runs a secondary school with about 600 pupils and an old people's home in Frauenberg. Its various businesses and enterprises employ about 500 people, and it also has the management of the museums and collections detailed below.
The present church was designed by the architect Wilhelm Bücher to replace the former church after the fire of 1865. It is inspired by Regensburg Cathedral and was the first sacred building in Austria in the neo-Gothic style. It incorporates 12th century Romanesque side doors. The two west towers are 67 metres tall, and the facade contains figures of Saint Benedict and Saint Scholastica. The figure of the church's patron, Saint Blaise, tops the pinnacle of the west door.
The interior consists of a central aisle and two side aisles, off each of which are five side chapels and six altars. The picture on the altar of Mary, Maria Immaculata by Martino Altomonte (1657–1745), is surrounded by 15 carved medallions of the secrets of the rosary by Joseph Stammel. Both works of art were created in 1726 and survived the fire of 1856.
In a side chapel is located the famous crib of Admont, also by Stammel. It is open to view from 25 December to 2 February. The Gothic crucifix under the triumphal arch dated 1518 is ascribed to Andreas Lackner.
A statue of Saint Blaise stands on top of the high altar of white Carrara marble. The choir is decorated with early 18th century tapestries by Benno Haan. In the Chapel of St. Benedict is a Baroque Corpus Christi from the workshop of Johann Meinrad Guggenbichler.
The library hall, built in 1776 to designs by the architect Joseph Hueber, is 70 metres long, 14 metres wide and 13 metres high, and is the largest monastery library in the world. It contains c. 70,000 volumes of the monastery's entire holdings of c. 200,000 volumes. The ceiling consists of seven cupolas, decorated with frescoes by Bartolomeo Altomonte showing the stages of human knowledge up to the high point of Divine Revelation. Light is provided by 48 windows and is reflected by the original colour scheme of gold and white. The architecture and design express the ideals of the Enlightenment, against which the sculptures by Joseph Stammel of 'The Four Last Things' make a striking contrast.
The abbey possesses over 1,400 manuscripts, the oldest of which, from St. Peter's Abbey in Salzburg, were the gift of the founder, Archbishop Gebhard, and accompanied the first monks to settle here, as well as over 900 incunabulae.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.