Linde Church is a homogeneous Romanesque church. Construction of the presently visible church started in the late 12th century and was finished in the early 13th century. A single, large Gothic window was inserted in the eastern wall in the 14th century.
The external nave and choir portals are both decorated with Romanesque sculptures. Inside, the church is decorated with frescos. On the northern wall is a set of paintings depicting the Passion of Christ, dating from the 15th century. On the western wall is another set, also from the 15th century, depicting women being harassed by devils. Among the church furnishings, the altarpiece from 1521 is especially noteworthy. It depicts God the Father with Christ, with Saint Giles and Saint Olaf on each side of them. Additionally, the doors of the altarpiece contain sculptures of the apostles, Saint Canute, Saint Eric and Saint Bridget. The church furthermore contains a copy of a triumphal cross today kept in the Swedish History Museum. The original dates from the end of the 12th century. The church furthermore rather unusually contains two baptismal fonts. Both are probably from the 12th century, and one may be a work by the stonemason Hegvald.
South-west of the church lie the ruins of a medieval house, probably the former parsonage.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.