Rein Abbey is a Cistercian monastery in Rein near Gratwein, Styria. Also known as the 'Cradle of Styria', it is the oldest surviving Cistercian community in the world. The monastery was founded in 1129 by Margrave Leopold the Strong of Styria and settled by monks from Ebrach Abbey in Bavaria under the first abbot, Gerlacus. It was the 38th Cistercian monastery to be founded. The previous 37 are all since dissolved, leaving Rein as the oldest extant Cistercian monastery in the world. The abbey has remained a Cistercian community ever since on the same site, except for the temporary exile of a few years during World War II when the premises were confiscated by the Nazis and the monks were evicted until they were able to return in 1945.
On 19 September 1276 the abbey was the scene of the Rein Oath, when the Styrian and Carinthian nobility pledged allegiance to Rudolf of Habsburg, King of the Romans, thus furthering the establishment of the Habsburgs as rulers of Austria and the end of the rule of King Ottokar II of Bohemia.
From 1950 to 1990 the community at Rein also accommodated the exiled Cistercians of Hohenfurt Abbey in the former Czechoslovakia, and during that time was known as Rein-Hohenfurt Abbey, until the Czech monks were eventually able to return to the reopened monastery in the present Czech Republic, now Vyssí Brod Abbey.
The abbey church and conventual buildings are of Romanesque origin. At the beginning of the 17th century an upsurge in numbers required the expansion of the conventual buildings. The alterations, which involved the redevelopment of the old cloisters, were carried out between 1629 and 1632 by the architect Bartholomäus di Bosio, who constructed the Neues Konvent with its courtyard and Renaissance arcading.
Under Abbot Placidus Mailly (1710-1745) it was decided to refurbish the church in Baroque style. The work, by the court builder Johann Georg Stengg from Graz, was completed between 1738 and 1747. The frescoes, dating from 1766, were by Josef Adam von Mölk, and the painting on the high altar (of the Adoration of the Shepherds) of 1779, by Martin Johann Schmidt. Since 1786 the abbey church has also been the parish church. It was elevated to a basilica minor by Pope John Paul II in 1979.
In the summer of 2006 during restoration work in the Baroque choir chapel archaeological excavations were carried out by a team from the University of Graz, and the foundations of the former Romanesque chapter house were discovered, as well as a number of graves, including that of the founder, Margrave Leopold I of Styria. The former Baroque sacristy was dedicated by the abbot as a Lady chapel on 4 February 2007, since when the abbey's oldest madonna has been placed here.
The Gothic Chapel of the Cross, built 1406-1409, commemorates Saint Eberhard of Salzburg, who died at Rein on 22 June 1164.
Other features of note include the abbots' gallery, containing portraits of all the abbots from 1129 onwards, St. Ulrich's church, the tomb of Margrave Ottakar III of Styria (son of the founder), and the monument of Ernest, Duke of Austria (d. 1424).
The abbey library, comprising more than 100,000 items, contains inter alia 390 manuscripts and 150 incunabula, of which the best known is a 13th-century fragment of Parzival.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.