Eggenberg Palace in Graz is the most significant Baroque palace complex in Styria. With its preserved accouterments, the extensive scenic gardens as well as some additional collections from the Universalmuseum Joanneum housed in the palace and park, Schloss Eggenberg counts among the most valuable cultural assets of Austria. With its construction and accouterment history, it exhibits the vicissitude and patronage of the one-time mightiest dynasty in Styria, the House of Eggenberg. In 2010, Schloss Eggenberg was recognized for its significance to cultural history in an expansion to the listing of the Graz Historic Old Town among UNESCO World Cultural Heritage Sites.
The northern corner of the palace grounds features the Planetary Garden and Lapidarium of Roman stonework as well as the entrance to the new Archeological Museum, which houses the Cult Wagon of Strettweg. The palace houses the numismatic collection, located in the former rooms of Balthasar Eggenberger, owner of the imperial minting license and operations in the Late Middle Ages, and the show collection of the Alte Galerie, a collection of medieval through early modern period artworks spanning five centuries of European art history.
Large portions of the palace date back to the Late Middle Ages and construction continued throughout the early modern era. Before 1460 Balthasar Eggenberger, financier to Frederick III, Holy Roman Emperor, bought property in the west of Graz which became a fixed noble residence in the family name. In the subsequent years the family residence was constructed and expanded.
In 1625 Prince Hans Ulrich von Eggenberg, diplomat and statesman, commissioned court architect Giovanni Pietro de Pomis with the planning of his new palace, inspired by El Escorial in Spain. Incorporating the original medieval family residence into the new palace, de Pomis himself oversaw the construction work up to his death in 1631. Fortress master builder Laurenz van de Syppe continued the work for two years until the building was finished, in the end, by both of de Pomis’ site foremen, Pietro Valnegro and Antonio Pozzo. The shell appears to have been completed by 1635 or 1636. Between 1641 and 1646 work on the ornamentation was brought to a close.
Beginning in 1666, Johann Seyfried von Eggenberg, grandson of Hans Ulrich, developed the palace according to the splendor and grandeur of the Baroque style and in 1673 the residence again entered the limelight as Archduchess Claudia Felicitas of Tyrol was a guest in the palace on the occasion of her wedding in Graz to Leopold I, Holy Roman Emperor. Under Prince Johann Seyfried, the comprehensive cycle of ceiling coverings of approximately 600 paintings in the rooms of the piano nobile was accomplished in just 7 years.
After the extinction of the male line of the Eggenberg family, the Eggenberger state rooms were left in a half-emptied and neglected state. The husband of the last Eggenberger princess, Johann Leopold Count Herberstein, ordered a comprehensive renewal of the complex. Between 1754 and 1762 the building and the garden underwent their second major phase of ornamentation, this time in complete accordance with the tastes of the Rococo. The most extensive change was probably the demolition of the Eggenberger palace theater, in the place of which a baroque palace church was established.
The third phase of the changes came during the 19th century and was limited to the living quarters on the first storey of the palace. The primary focus of attention of this period was the total transformation of the Baroque formal garden into a romantic landscape garden after the English fashion.
The entire complex remained in the possession of the Herberstein family up to 1939. Shortly before the war, Schloss Eggenberg was acquired with the park by the state of Styria. The oldest museum in Austria, the Joanneum, which was established on 26 November 1811 by Archduke Johann of Austria, took over management of the palace and park. The Joanneum conducted extensive restoration work to repair the damage that occurred during World War II and the subsequent occupation by the Allies and in 1953 Schloss Eggenberg and the Eggenberg Schloss Park were finally opened again to the public.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.