San Sebastiano fuori le mura (Saint Sebastian outside the walls) was built originally in the first half of the 4th century. The basilica is dedicated to St. Sebastian, a popular Roman martyr of the 3rd century. 'Fuori le mura' refers to the fact that the church is built outside the Aurelian Walls, and is used to differentiate the basilica from the church of San Sebastiano al Palatino on the Palatine Hill.
The church is built above one of Rome's famous catacombs or underground cemeteries, and in fact the word 'catacomb' comes from this site. According to the founding tradition, in 258, during the Valerian persecutions, the catacombs were temporarily used as place of sepulture of two other saints martyred in Rome, Peter and Paul, whose remains were later transferred to the two basilicas carrying their names: whence the original dedication of the church, Basilica Apostolorum ('Basilica of the Apostles'). The dedication to Sebastian dates to the 9th century.
Sebastian's remains were moved here around 350. They were transferred to St. Peter's in 826, fearing a Saracen assault: the latter, in fact, materialized, and the church was destroyed. The building was refounded under Pope Nicholas I (858–867), while the martyr's altar was reconsecrated by Honorius III (1216–1227), by request of the Cistercians, who had received the place. In the 13th century the arcade of the triple nave was walled in.
The current edifice is largely a 17th-century construction, commissioned by Cardinal Scipione Borghese in 1609 from Flaminio Ponzio and, after Ponzio's death in 1613, entrusted to Giovanni Vasanzio, who completed it.
The statue of St Sebastian at the altar in the first chapel on the left is by Giuseppe Giorgetti. The Chapel of Relics, located directly across the nave, houses a stone allegedly imprinted with the footprints of Jesus related to the episode of 'Quo vadis?' in the apocryphal Acts of Peter; and one of the arrows which struck St Sebastian together with part of the column to which he was tied during the martyrdom. Noteworthy is the Albani Chapel (built 1716) and designed by Carlo Maratta, Alessandro Specchi, Filippo Barigioni and Carlo Fontana; commissioned by Pope Clement XI; and dedicated to Pope Fabian. Fabian had been Bishop of Rome during the persecution of Decius. Flanking the altar, busts of Saints Peter and Paul by Nicolò Cordier recall the first dedication of the basilica.References:
The moated castle at Beersel is one of the few exceptionally well-preserved examples of medieval fortifications in Belgium. It remains pretty much as it must have appeared in the 15th century. Remarkably, it was never converted into a fortified mansion. A visitor is able to experience at first-hand how it must have felt to live in a heavily fortified castle in the Middle Ages.
The castle was built in around 1420 as a means of defence on the outer reaches of Brussels. The tall, dense walls and towers were intended to hold any besiegers at bay. The moat and the marshy ground along its eastern, southern and western edges made any attack a formidable proposition. For that reason, any attackers would have chosen its weaker northern defences where the castle adjoins higher lying ground. But the castle was only taken and destroyed on one occasion in 1489, by the inhabitants of Brussels who were in rebellion against Maximilian of Austria.
After being stormed and plundered by the rebels it was partially rebuilt. The pointed roofs and stepped gables are features which have survived this period. The reconstruction explains why two periods can be identified in the fabric of the edifice, particularly on the outside.
The red Brabant sandstone surrounds of the embrasures, now more or less all bricked up, are characteristic of the 15th century. The other embrasures, edged with white sandstone, date from the end of the 15th century. They were intended for setting up the artillery fire. The merlons too are in white sandstone. The year 1617 can be clearly seen in the foundation support on the first tower. This refers to restorations carried out at the time by the Arenberg family.
Nowadays, the castle is dominated by three massive towers. The means of defence follow the classic pattern: a wide, deep moat surrounding the castle, a drawbridge, merlons on the towers, embrasures in the walls and in the towers, at more or less regular intervals, and machiolations. Circular, projecting towers ensured that attacks from the side could be thwarted. If the enemy were to penetrate the outer wall, each tower could be defended from embrasures facing onto the inner courtyard.
The second and third towers are flanked by watchtowers from which shots could be fired directly below. Between the second and third tower are two openings in the walkway on the wall. It is not clear what these were used for. Were these holes used for the disposing of rubbish, or escape routes. The windows on the exterior are narrow and low. All light entering comes from the interior. The few larger windows on the exterior date from a later period. It is most probable that the third tower - the highest - was used as a watchtower.