The Church of Santa Maria Maggiore is an important place of worship in the city of Trento, and the site of the Third Session of the Council of Trent.
Traditionally, the foundation of the church was attributed to St. Vigilius, the third Bishop of Trento, in the late fourth of early fifth century. In the Roman period, there were public buildings, including a public baths, on the site where the church was later built. The original church itself was built somewhat later than previously thought, in the late fifth or early sixth century, and had a large space divided into three naves. The chancel of this church, which was still in use towards the end of the tenth and eleventh centuries, contains traces of an opus sectile pavement dating to late antiquity, which was later replaced with a mosaic from the middle of the 6th century.
Between the late 8th and early 9th centuries a number of building works were undertaken on the cathedral, in particular the addition of richly-decorated stone liturgical fittings, including a rood screen and a ciborium. In the late 10th or early 11th centuries the old church was demolished, and its structure, including the Carolingian fittings, were used as building materials for a new church, smaller than the previous one. It had a semicircular central apse with two side-apses.
Evidence from a find of coins indicates that after 1290 a third church was built on the site of the previous one. This one had two naves ending in symmetrical apses. This building preserved, among other elements of earlier edifices, fragments of frescoes and parts of a gothic fascicule semi-pillar at one of its entrances. In 1520, work started on the current church, at the direction of Bernardo Clesio. Between 1899 and 1901 further works and restoration modified the renaissance façade.
Santa Maria Maggiore was the site of the Third Session of the Council of Trent (1545–1563).
The main façade consists of an arched entrance in renaissance style with a door commissioned by Prince-Archbishop Cristoforo Madruzzo in 1539. Above the door is a lunette depicting the Annunciation. The bell tower, 53 metres high, is the tallest in the city. Constructed of white limestone, it has two rows of three-mullioned romanesque windows and a polygonal cupola.
The interior of the church consists of a single nave. Along the sides are a series of chapels with marble altars in the baroque style. There are also a series of altarpieces and the baroque sarcophagus containing relics attributed to Saint Clement. Of historical significance also is the series of paintings which depict sense from the Council of Trent and some of the main figures of the Counter-reformation. The choir is at the north end of the presbytery and consists of a large gallery with bas-reliefs, held up by four finely-worked corbels.
References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr.