Saint Andrea Church, Nago-torbole, Italy

Saint Andrea church overlooks over the older part of Torbole. It was first mentioned in a document dated 1175. In 1183 the Pope Lucius III assigned it, together with the surrounding olive grove, to the Cistercian Abbey of Saint Lorenzo in Trento. In 1497 some of the properties of the Church were given for the support of a priest who would look after of the Torbole Community. In 1741 the curate of Torbole has been founded and in 1839 the church was officially consecrated.

After being ravaged by French troops in 1703, the church was rebuilt in the Late Baroque style, but some architectural elements have been recovered. This is proven by the dates sculptured on the base of the two rocky arches of the transept. From an artistic point of view the most important work of the whole church is the altar piece in the apse. It represents the martyrdom of Saint Andrea and it is the masterpiece of the Verona artist Giambettino Cignaroli (1706–1770). All the figures of the painting, really detailed and realistic, should have been conceived taking as models some inhabitants of Torbole. A painted vertical sundial can be seen on the church's lake facing wall and on the opposite side is a small cemetery. The parish Saint Andrea church is divided into three naves and keeps a fine wooden chorus. A significant element is the 18th-century canvas made by Giambettino Cignaroli representing the Saint Andrea martyr.

References:

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User Reviews

Media Salerno Project (9 months ago)
S. Andrea Historical News 1146 - 1155 (general term) The chapel of Sant'Andrea is mentioned for the first time in a will, dated in the month of November of an unspecified year between 1146 and 1155. Description The parish church of Sant'Andrea, facing south-east, is located at the top of a steep staircase, on a hill overlooking Lake Garda. The building was subject to several extensions over the centuries. The façade is marked by four Corinthian pilasters, concluded by a mixtilinear crowning and opened by an architraved portal surmounted by a blind window. The bell tower is set against the northern side. The interior is divided into three naves: the lateral ones end in two chapels, the central one in a rectangular presbytery raised on two steps and concluded by a polygonal apse.

Paulina (19 months ago)
It is true that we were not inside, but the location of the church among the olive grove makes it a pleasant place to take a walk and breathe from the city noise. The scenic Busatte-Tempesta route begins nearby

le difese del lago idro durante la grande guerra (20 months ago)
The church is nothing transcendental like the paintings inside but you have a nice view of the lake from the churchyard.

Francesco Della Valle (2 years ago)
The church is not that great but the view is really worth a visit. To visit absolutely.

Cinzia Ceccolin (2 years ago)
A truly enchanting and peaceful place. A magnificent view of the lake, a pretty church right on top of Torbole. Pargheggio paid very close, though narrow road that allows the transit to one car at a time. Pargheggio recommended the one next to the small cemetery, right next to the church

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Veste Coburg

The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.

A document signed by Pope Honorius II in 1206 refers to a mons coburg, a hill settlement. In the 13th century, the hill overlooked the town of Trufalistat (Coburg's predecessor) and the important trade route from Nuremberg via Erfurt to Leipzig. A document dated from 1225 uses the term schloss (palace) for the first time. At the time, the town was controlled by the Dukes of Merania. They were followed in 1248 by the Counts of Henneberg who ruled Coburg until 1353, save for a period from 1292-1312, when the House of Ascania was in charge.

In 1353, Coburg fell to Friedrich, Markgraf von Meißen of the House of Wettin. His successor, Friedrich der Streitbare was awarded the status of Elector of Saxony in 1423. As a result of the Hussite Wars the fortifications of the Veste were expanded in 1430.

Early modern times through Thirty Years' War

In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.

In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.

17th through 19th centuries

From 1638-72, Coburg and the Veste were part of the Duchy of Saxe-Altenburg. In 1672, they passed to the Dukes of Saxe-Gotha and in 1735 it was joined to the Duchy of Saxe-Saalfeld. Following the introduction of Primogeniture by Duke Franz Josias (1697-1764), Coburg went by way of Ernst Friedrich (1724-1800) to Franz (1750-1806), noted art collector, and to Duke Ernst III (1784-1844), who remodeled the castle.

In 1826, the Duchy of Saxe-Coburg-Gotha was created and Ernst now styled himself 'Ernst I'. Military use of the Veste had ceased by 1700 and outer fortifications had been demolished in 1803-38. From 1838-60, Ernst had the run-down fortress converted into a Gothic revival residence. In 1860, use of the Zeughaus as a prison (since 1782) was discontinued. Through a successful policy of political marriages, the House of Saxe-Coburg and Gotha established links with several of the major European dynasties, including that of the United Kingdom.

20th century

The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.

In 1945, the Veste was seriously damaged by artillery fire in the final days of World War II. After 1946, renovation works were undertaken by the new owner, the Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen.

Today

The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.

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