Saint Andrea church overlooks over the older part of Torbole. It was first mentioned in a document dated 1175. In 1183 the Pope Lucius III assigned it, together with the surrounding olive grove, to the Cistercian Abbey of Saint Lorenzo in Trento. In 1497 some of the properties of the Church were given for the support of a priest who would look after of the Torbole Community. In 1741 the curate of Torbole has been founded and in 1839 the church was officially consecrated.
After being ravaged by French troops in 1703, the church was rebuilt in the Late Baroque style, but some architectural elements have been recovered. This is proven by the dates sculptured on the base of the two rocky arches of the transept. From an artistic point of view the most important work of the whole church is the altar piece in the apse. It represents the martyrdom of Saint Andrea and it is the masterpiece of the Verona artist Giambettino Cignaroli (1706–1770). All the figures of the painting, really detailed and realistic, should have been conceived taking as models some inhabitants of Torbole. A painted vertical sundial can be seen on the church's lake facing wall and on the opposite side is a small cemetery. The parish Saint Andrea church is divided into three naves and keeps a fine wooden chorus. A significant element is the 18th-century canvas made by Giambettino Cignaroli representing the Saint Andrea martyr.
References:Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.