The Castello Baradello is a military fortification located on a 430 m high hill next to the city of Como. The castle occupies the ancient site of Comum Oppidum, the original settlement of Como, dating from the 1st millennium BC. Later it was one of the last Byzantine strongholds in the area, surrendering to the Lombards in 588. The castle was restored during the War of the Lombard League, with the help of emperor Frederick Barbarossa (1158). Barbarossa officially donated it to the citizens of Como in 1178.
Napoleone della Torre died here in 1278, having been imprisoned here by Ottone Visconti after the Battle of Desio; his nephew Guido was able to escape in 1283, as well as his brothers Corrado and Enrico the following year. Azzone Visconti restored and enlarged the fortification after conquering Como in 1335, and built another castle, the Castello della Torre Rotonda ('Castle of the Round Tower', now lost) and a citadel.
In 1527, by order of emperor Charles V, the castle was dismantled, with the exception of the tower, to prevent it from falling in hands of the French troops that had invaded the duchy of Milan. After belonging to monks and then to private individuals, the castle was restored in 1971.
The most preserved element is a square tower. It once had Guelph-type merlons. The walls are of Byzantine origin (6th-7th century); these were later heightened and provided with Guelph merlons, while another external line of walls was added.
Also from the 6th century are the Chapel of St. Nicholas and quadrangular tower, which was used as the castellan's residence. Napoleone della Torre was buried in the Chapel of St. Nicholas.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.