The Drottningholm Palace is the private residence of the Swedish royal family. It was originally built in the late 16th century. It served as a residence of the Swedish royal court for most of the 18th century. Apart from being the private residence of the Swedish royal family, the palace is a popular tourist attraction. It is also a UNESCO World Heritage Site, mainly because of its Theatre (an opera house located at the palace) and the Chinese Pavilion.
The palace was originally a renaissance building designed by Willem Boy, a stone palace built by John III of Sweden in 1580 for his queen, Catherine Jagellon. The Queen Dowager Regent Hedwig Eleonora bought the castle in 1661, a year after her role as Queen of Sweden ended, but it burnt to the ground on 30 December that same year. Hedwig hired the famous Swedish architect Nicodemus Tessin the Elder to design and rebuild the castle. With the castle almost complete, Nicodemus died in 1681. His son Nicodemus Tessin the Younger continued his work and completed the elaborate interior designs. During the reign of the kings Charles XI and Charles XII, the royal court was often present at the palace.
Drottningholm served regularly as a residence for the royal court from ca 1720 until 1792. After the death of Hedvig Eleonora in 1715, Queen Ulrika Eleonora and King Frederick I held court at the palace until 1744. The court of Gustav IV Adolf (reign 1792–1809) and Charles XIII (reign 1809–1818) used the palace more sporadically. In 1797, Frederica of Baden was celebrated here with great festivities, and in 1809, the deposed king was kept here under guards in the Chinese parlour for eleven days.
In the 19th century Drottningholm was ignored and started to decay, because it was regarded as a symbol of the old dynasty. The buildings were severely damaged by the forces of nature, and their inventories were either taken away or auctioned off. It was apparently opened to the public for the first time during this period: a tour was mentioned in 1819, and people used the park for picnics. Occasionally, the grounds were used for public events.
In 1907, a major four-year restoration of the palace was begun to restore it to its former state, after which the royal court began to use it regularly again. The current Swedish royal family have used Drottningholm as their primary residence since 1981. Since then, the Palace has also been guarded by the Swedish Military in the same fashion as Stockholm Palace.
The gardens and park areas surrounding the castle and its buildings are one of the main attractions for the tourists that visit the palace each year. The gardens have been established in stages since the castle was built, resulting in different styles of parks and gardens. The oldest part, a baroque garden, was created at the end of the 17th century under the direction of Hedwig Eleonora. Gustav III took the initiative for what is sometimes called the English garden section of Drottningholm. This lies north of the baroque garden and consists of two ponds with canals, bridges, large open sections of grass, and trees in groups or avenues. Walkways are laid out throughout this large part of the park. Throughout this area "vistas" can be seen, cleared lines of sight that are intentionally constructed to draw the eye to a particular view. Most of the antique marble statues throughout the gardens were purchased by Gustav III from Italy.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.