Udine Cathedral

Udine, Italy

The construction of Udine cathedral began in 1236 by will of Berthold, patriarch of Aquileia, on a Latin cross-shaped plan with three aisles and side-chapels. The style should follow that of the contemporary Franciscan churches. The church was consecrated in 1335 as Santa Maria Maggiore.

In 1348 an earthquake damaged the building, which was restored starting from 1368. In this occasion, the larger previous rose window of the fa├žade was replaced by the smaller current one.

At the beginning of the 18th century a radical transformation project involving both the exterior and the interior was undertaken at the request and expense of the Manin family. The designer was architect Domenico Rossi, the work being finished in 1735.

Architecture

The church has two main portals, one of which, called Portale della Redenzione, executed by an unknown German master in the 14th century. It has reliefs portraying the Redemption and pointed internal arches. The other one is known as Portale dell'Incoronazion, and was also executed by a German sculptor in 1395-1396. It has figures of saints and, one the upper tympanum, scenes of the Life of Jesus.

The interior has a nave and two aisles separated by pillars. At the sides are four chapels communicating with each other.

In contrast with the Romanesque-Gothic exterior, the Baroque interior has monumental dimensions and contains many works of art by Maffeo Verona, Giovanni Battista Tiepolo, Pomponio Amalteo, and Ludovico Dorigny. The painter Pellegrino da San Daniele contributed to the altarpiece of Saint Joseph and the organ doors. On the ground floor of the bell tower (built from 1441 over the ancient baptistry) is a chapel which is completely adorned with frescoes by Vitale da Bologna (1349).

The cathedral also houses an important museum of religious decorative arts, the Museo del Duomo di Udine.

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Address

Piazza del Duomo 2, Udine, Italy
See all sites in Udine

Details

Founded: 1236
Category: Religious sites in Italy

Rating

4.5/5 (based on Google user reviews)

User Reviews

Ilona Dorgai (5 months ago)
There was a mass. I couldn't visit it
Gabriele Stella (10 months ago)
It is the most important church in Udine full of paintings and architectural solutions. I was there for a concert with both pipes organs where used.
Daniele Marini (23 months ago)
It's not a notable Catholic cathedral, it's good to visit for historical reasons
Alberto Agosti (2 years ago)
Free of charge,majestic cathedral whose (neo)gothic fassade does not match the solemn yet not too cheesy baroque interior. This said, three paintings by Gb. Tiepolo and other local painters are worth your time. Ps: GB Tiepolo died 250 years ago,his anniversary is celebrated this year. Better lighting for those paintings in the Duomo (just normal "faretti") could enhance the experience a lot.
Irina Kravchuk (3 years ago)
Nice views of the bell tower can be seen from the city castle.
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Saint-Eustache

The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.