Brechin Cathedral dates from the 13th century. Immediately adjoining the cathedral to the southwest stands the Round Tower, built about 1000 A.D.
The western gable with its flamboyant window, Gothicdoor and massive square tower, parts of the (much truncated) choir, and the nave pillars and clerestory are all that is left of the original edifice. The modern stained glass in the chancel is reckoned amongst the finest in Scotland.
The quality of the masonry is superior to all but a very few of the Irish examples. The narrow single doorway, raised some feet above ground level in a manner common in these buildings, is also exceptionally fine. The door-surround is enriched with two bands of pellets, and the monolithic arch has a well-preserved representation of the Crucifixion. The slightly splayed sides of the doorway (also monolithic) have relief sculptures of ecclesiastics, one of them holding a crosier, the other a Tau-shaped staff.
Two monuments preserved within the cathedral, the so-called 'Brechin hogback', and a cross-slab, 'St. Mary's Stone' are further rare and important examples of Scottish 11th century stone sculpture. The hogback combines Celtic and Scandinavian motifs, and is the most complex known stone sculpture in the Ringerike style in Scotland. The inscribed St Mary's Stone has a circular border round the central motif of the Virgin and Child which echoes that on the Round Tower.
As a congregation of the Church of Scotland, which is Presbyterian, the church is not technically a cathedral, in spite of its name.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.