Mariawald Abbey is a monastery of the Trappists (formally known as the Cistercians of the Strict Observance), located above the village of Heimbach. Following Heinrich Fluitter's vision of the Blessed Virgin Mary, a shrine and chapel were built on the site of it, which became a place of pilgrimage, the Marienwallfahrt. For the proper care of the site and the pilgrims land was given in 1480 to the Cistercians of Bottenbroich Abbey, who established a priory here, which they were able to move into on 4 April 1486. The new monastery took its name from the shrine to Mary and from the woods in which it was situated: 'Marienwald', or 'Mary's wood'.
In 1795 the monastery was closed as a result of the French Revolution and the monks were expelled. The image of the Virgin was removed to safety in Heimbach. The priory buildings were abandoned and allowed to fall into decay. In 1860 the priory was re-settled by Trappist monks from Oelenberg Abbey in Alsace.
The monks had to leave the monastery yet again under the Nazi regime during World War II, from 1941 until April 1945, when the surviving members of the community were able to return. The monastery had to be largely rebuilt, because it had been seriously damaged in the war. After World War II, a brewery was run at the abbey until 1956 when beer production ceased, in part due to availability of water and brewing ingredients.
The monks follow the Rule of St. Benedict and the constitution of the Cistercians of the Strict Observance. Visitors can also stay a few days in the abbey's guesthouse, but the parts of the monastery used by the monastic community cannot be visited. The abbey runs a tavern and bookshop. It also produces and sells its own liqueur.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.