In 1261, the Lords of Mont planned to build a city along the lake that would compete with the Aubonne and Saint-Prex. By around 1264, Rolle Castle was built to protect the pier at the lake. However, the planned city was never built by the Mont family. In 1291, the castle was in possession of Count Amadeus V of Savoy, who granted it to several different families as a fief. In the course of the rivalry between the Counts of Savoy and the Lords of Vaud, in 1319 Amadeus V of Savoy finally built a city around the castle, in 1330 the city was named Ruelloz. This new city closed a gap in the savoy settlements on the northern shores of Lake Geneva.
During the Bernese invasion, both Le Rosey Castle and Rolle Castle were attacked and burned.
Under Bernese rule (1536-1798) Rolle was part of the bailiwick of Morges. In 1558, the Bernese merchant Hans Steiger, who was already the lord of Mont-le-Grand, acquired the barony of Rolle. His family retained the property until the French Revolution. The barony included the town of Rolle (except the fief of Les Uttins which belonged until the 18th century to the La Harpe family), Tartegnin, Vinzel, Luins, half of Essertines-sur-Rolle, some homes in Begnins, the region of Vincy and Saint-Vincent (now in Gilly), Bursinel and in 1615 they acquired Le Rosey Castle, Dully and Le Vaud. The judicial court was composed of the lord, his deputy, a court clerk, and ten members from Rolle and villages in the district. One of ten members governed the city. In 1740 the town bought itself out from under some taxes and duties.
Following the French invasion of Switzerland in 1798, Rolle became the seat of a district of the same name. In 1799 the Helvetic Republic bought the castle from the municipality and used it until 1974 as the seat of government. In 1802, during the Bourla-papey uprising, patrician land titles and tax records in castle archives were burned.
Today the castle has inner courtyard and corner towers. The courtyard is particularly well suited to hold various events. Nowadays the castle hosts the town’s Boardroom, and a reception area which is also suitable for exhibitions.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.