Regensberg Castle

Regensberg, Switzerland

Either Lütold V von Regensberg or his son Ulrich established the fortified town of (Neu)-Regensberg around 1250. Ulrich died around 1280, and his son Lütold VIII had to sell Regensberg to Habsburg-Austria in 1302. The Habsburgs mortgaged the castle and town several times, and in 1407 the so-called Herrschaft Regensberg was acquired by the city of Zürich. From 1417 the castle became the seat of the bailiff of the bailiwick of Regensberg. On 6 June 1443 the council of Zürich forced their troops and the citizens to defend the fortified town, three days later the castle was conquered during the Old Zürich War by Zürich's contrahents, but not destroyed, and some months later manned again by Zürich troops.

On 9 September 1540 the town, but not the castle, was destroyed by fire, because it was separated from the Oberstadt by a ditch. The upper castle was rebuilt in the following year. From 1689 the castle and the upper town were fortified according to then modern standards. On 13 March 1798 the French revolutionary troops forced the council of the city republic of Zürich to abdicate, and the country bailiwicks were dissolved. After the end of the short-lived Helvetic Republic, Regensberg became the district capital, and the castle was the seat of the cantonal authorities, and in the main building there was the county jail until 1863.

Regensberg was designed as a fortified castle town and built by then modern contemporary criteria. The so-called upper castle (Oberburg) comprises a rectangular plaza as main square which is surrounded two rows of houses, and into the limestone a 57 m (187 ft) deep water well was carved. The lower castle (Unterburg) or lower town (Unterstadt) was probably built in the 14th century nestled at the castle's hill outside of the town wall. Therefore, it was not involved in the modernization of the upper castle in 1689.

Nowadays, the castle belongs to the Regensberg Castle Foundation. The round tower is still open to the public and offers a spectacular panoramic view of the surrounding region. In addition, information panels inside the tower relate the history of the small country town of Regensberg.

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Address

Oberburg 22, Regensberg, Switzerland
See all sites in Regensberg

Details

Founded: 13th century
Category: Castles and fortifications in Switzerland

More Information

en.wikipedia.org

Rating

4.5/5 (based on Google user reviews)

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Lindenhof Hill (14,4 km)
Laufen Castle (25,3 km)

User Reviews

Philippe Meyer (2 years ago)
Very nice medieval village
Helder Mendes (2 years ago)
It's not breathtaking but is a nice place to visit, good view, interesting houses, historical value.
Armine Ribi (3 years ago)
Lovely village and a great Gin bar! Definitely worth a visit!
Konstantinos Chaloulos (3 years ago)
Interesting/cute place with some nice views. It's not really much visited. Inside you'll find also a tower, on which you can go for the best views around. Some stone-walls and fountains bring a lot to the scenery. Time to spend: as usually, there's no upper limit on that. Min: 30-45' stroll should be enough. There's plenty of parking spaces nearby, close to the 3-streets crossing.
Karina Kjerulff Kotchiev (3 years ago)
The area around this old castle is so idyllic, romantic and beautiful. I would recommend visiting the castle. Going up the stairs and enjoying the spectacular view. In the summer time, they have a summer party up there with lots of activities for kids. You simply buy them a bracelet and they can try all kinds of funny activities. Easily spent 5-6 hours up there for the party. It is once a year around June. You can't drive your car up there though. During this festival there is a shuttle bus going up there. I just really love the atmosphere. I do not understand why they don't have a Christmas market up there. The setting is perfect!
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Quimper Cathedral

From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.

The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.

At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.

The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.

The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.

Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).

The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.

At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».

The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.

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