Stadtpfarrkirche St. Johann church is located next to Rapperswil Castle. The castle and the parish church were built by Count Rudolf II and his son Rudolf III around 1220/29. The former parish church was located at Busskirch on upper Zürichsee lake shore, being one of the oldest churches around the lake area. Even the citizens of Rapperswil had to attend services in Busskirch until Count Rudolf II built his own parish church on he Herrenberg hill next to the castle. Legally, Rapperswil church was subordinated to 1253 the parish of St. Johann Busskirch and thus the Pfäfers abbey. In 1489 the adjacent Liebfrauenkapelle was built, the cemetery chapel that still exists. On 30 January 1881 the church was partially destroyed by fire, and rebuilt from 1881 to 1885.
The Romanesque hall church and the northern church tower were extended in 1383 to the west. In 1441 a smaller but massively southern church tower was built. Collection campaigns in 1493/97 allowed to rebuild the hall church into a tripartite Gothic choir with arched ceiling and tracery windows. Following the Reformation in Switzerland, two Renaissance wing altars in the side chapels were added respectively latter moved to other chappels. Thus, these altars were not destroyed by fire on January 30, 1882, as well as the sacristy located in the southern church tower, along with the precious treasure of the church: masterpieces by the goldsmiths Breny from Rapperswil, Dietrich, Dumeisen and Rüssi Ysenschlegel, being one of the richest in the Linth territory.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.