Dubrovnik is one of the most prominent tourist destinations in the Mediterranean Sea, today listed as UNESCO World Heritage Site. The prosperity of the city was historically based on maritime trade; as the capital of the maritime Republic of Ragusa, it achieved a high level of development, particularly during the 15th and 16th centuries, as it became notable for its wealth and skilled diplomacy.
The 'Pearl of the Adriatic' became an important Mediterranean sea power from the 13th century onwards. Although severely damaged by an earthquake in 1667, Dubrovnik managed to preserve its beautiful Gothic, Renaissance and Baroque churches, monasteries, palaces and fountains.
A feature of Dubrovnik is its walls that run almost 2 kilometres around the city. The walls are 4 to 6 metres thick on the landward side but are much thinner on the seaward side. The system of turrets and towers were intended to protect the vulnerable city. The walls of Dubrovnik have also been a popular filming location for the fictional city of King's Landing in the HBO television series, Game of Thrones.
Few of Dubrovnik's Renaissance buildings survived the earthquake of 1667 but fortunately enough remained to give an idea of the city's architectural heritage. The finest Renaissance highlight is the Sponza Palace which dates from the 16th century and is currently used to house the National Archives.
Dubrovnik's most beloved church is St Blaise's church, built in the 18th century in honour of Dubrovnik's patron saint. Dubrovnik's Baroque Cathedral was built in the 18th century and houses an impressive Treasury with relics of Saint Blaise. The city's Dominican Monastery resembles a fortress on the outside but the interior contains an art museum and a Gothic-Romanesque church.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.