The large complex of the Franciscan monastery is situated at the very beginning of Placa, to the left of the inner Pile Gate, next to the Holy Savior Church. The Franciscan order arrived in Dubrovnik around 1234. The first Franciscan monastery was built in the 13th century in the Pile area on the spot what is today Hotel Hilton Imperial. However as the City was threatened with war, in 1317, decision was made to demolish that monastery to prevent its use by the enemy in the eventual case that the City might be besieged. The new monastery inside the City walls was constructed the same year, in 1317, but the work on the monastery continued throughout centuries.
The same year is taken for the establishment of Friars Minor pharmacy. The rule of the Franciscan order was to take care of the sick brethren. However this particular pharmacy was designed and founded as the public pharmacy, as well as for the needs of the monks, which is corroborated by the original location of the pharmacy being the monastery's ground floor. The establishment of the pharmacy provided a steady income to the order and solved their materialistic needs. Today the Friars Minor pharmacy is the third oldest functioning pharmacy in the entire world. Since 1938, when the idea of a pharmacy museum was realized in the Franciscan monastery, curios visitors may enjoy the wonderful exhibits from the history of this noble trade.
The large Franciscan church had been one of the richest churches in Dubrovnik at the time, when it was destroyed in the Great earthquake of 1667. The only element of the former building which has been preserved is the portal on the south wall. It was probably moved from the front to the lateral wall in the course of the restoration in the 17th century. According to the contract of 1498, this portal, the most monumental one in Dubrovnik at that time, was carved in the leading local workshop owned by the brothers Leonard and Petar Petrović. The portal has all the marks of the Gothic style, but the solid volumes of the figures show the Renaissance spirit.
The northern wall of the church closes the southern wing of one of the most beautiful cloisters of Dubrovnik. This cloister was built in late Romanesque style by master Mihoje Brajkov of Bar in 1360. The ambient is most harmonious, framed by a colonnade of double hexaphoras, each with a completely different capital. The Franciscan cloister is one of the most valuable late Romanesque creations on the Croatian shores of the Adriatic. The Franciscan monastery has another cloister built in the Gothic style, but it is for private use only and not accessible to the public.The cloister of Friars Minor Monastery is one of the most beautiful places one is able to visit inside the Old Town Dubrovnik. In combination with the valuable museum exhibits and the story behind Franciscan monastery and its centuries old pharmacy makes the Franciscan Monastery an unavoidable attraction of Dubrovnik, which every visitor should take time to experience.
The monastery owns one of the richest old libraries in the Croatia, famous all over the world for the value of its inventory. The book collection consist of over 70000 books, over 1200 of which are old manuscripts of extraordinary value and importance, 216 incunabulas and 22 tomes of old church corals made from 15th to 17th century. The collection of liturgical and art objects is exhibited in the large Renaissance hall, containing the inventory of the old Franciscan pharmacy, paintings by old masters, valuable specimens of gold-work and rare books.References:
Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.
Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.
Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.
When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.
In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.
The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.
The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.