Fort Lovrijenac or St. Lawrence Fortress is located outside the western wall of the city of Dubrovnik. Famous for its plays and importance in resisting Venetian rule, it overshadows the two entrances to the city, from the sea and by land. Early in the 11th century the Venetians attempted to build a fort on the same spot where Fort Lovrijenac currently stands. If they had succeeded, they would have kept Dubrovnik under their power, but the people of the city beat them to it. The 'Chronicles of Ragusa' reveal how the fort was built within just three months time and from then on constantly reconstructed. When the Venetian ships arrived, full of materials for the construction of the fort, they were told to return to Venice.
Lovrijenac has a triangular shape with three terraces. The thickness of the walls facing the outside reach 12 metres whereas the section of the walls facing the inside, the actual city, are only 60 centimetres thick. Two drawbridges lead to the fort and above the gate there is an inscription Non Bene Pro Toto Libertas Venditur Auro ('Freedom is not to be sold for all the treasures in the world'). Lovrijenac's use as a stage was a recent addition to the history of the fort, and the performance of Shakespeare's 'Hamlet' has become the symbol of Dubrovnik Summer Festival.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.