The large complex of the Franciscan monastery is situated at the very beginning of Placa, to the left of the inner Pile Gate, next to the Holy Savior Church. The Franciscan order arrived in Dubrovnik around 1234. The first Franciscan monastery was built in the 13th century in the Pile area on the spot what is today Hotel Hilton Imperial. However as the City was threatened with war, in 1317, decision was made to demolish that monastery to prevent its use by the enemy in the eventual case that the City might be besieged. The new monastery inside the City walls was constructed the same year, in 1317, but the work on the monastery continued throughout centuries.
The same year is taken for the establishment of Friars Minor pharmacy. The rule of the Franciscan order was to take care of the sick brethren. However this particular pharmacy was designed and founded as the public pharmacy, as well as for the needs of the monks, which is corroborated by the original location of the pharmacy being the monastery's ground floor. The establishment of the pharmacy provided a steady income to the order and solved their materialistic needs. Today the Friars Minor pharmacy is the third oldest functioning pharmacy in the entire world. Since 1938, when the idea of a pharmacy museum was realized in the Franciscan monastery, curios visitors may enjoy the wonderful exhibits from the history of this noble trade.
The large Franciscan church had been one of the richest churches in Dubrovnik at the time, when it was destroyed in the Great earthquake of 1667. The only element of the former building which has been preserved is the portal on the south wall. It was probably moved from the front to the lateral wall in the course of the restoration in the 17th century. According to the contract of 1498, this portal, the most monumental one in Dubrovnik at that time, was carved in the leading local workshop owned by the brothers Leonard and Petar Petrović. The portal has all the marks of the Gothic style, but the solid volumes of the figures show the Renaissance spirit.
The northern wall of the church closes the southern wing of one of the most beautiful cloisters of Dubrovnik. This cloister was built in late Romanesque style by master Mihoje Brajkov of Bar in 1360. The ambient is most harmonious, framed by a colonnade of double hexaphoras, each with a completely different capital. The Franciscan cloister is one of the most valuable late Romanesque creations on the Croatian shores of the Adriatic. The Franciscan monastery has another cloister built in the Gothic style, but it is for private use only and not accessible to the public.The cloister of Friars Minor Monastery is one of the most beautiful places one is able to visit inside the Old Town Dubrovnik. In combination with the valuable museum exhibits and the story behind Franciscan monastery and its centuries old pharmacy makes the Franciscan Monastery an unavoidable attraction of Dubrovnik, which every visitor should take time to experience.
The monastery owns one of the richest old libraries in the Croatia, famous all over the world for the value of its inventory. The book collection consist of over 70000 books, over 1200 of which are old manuscripts of extraordinary value and importance, 216 incunabulas and 22 tomes of old church corals made from 15th to 17th century. The collection of liturgical and art objects is exhibited in the large Renaissance hall, containing the inventory of the old Franciscan pharmacy, paintings by old masters, valuable specimens of gold-work and rare books.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.