Castle Rushen is located in the Isle of Man's historic capital, Castletown. The castle is amongst the best examples of medieval castles in the British Isles, and is still in use as a court house, museum and educational centre.
The exact date of castle is unknown, although construction is thought to have taken place during the reigns of the late 12th century and early 13th century rulers of the Isle of Man – the Kings of Mann and the Isles. The original Castle Rushen consisted of a central square stone tower, or keep. The site was also fortified to guard the entrance to the Silver Burn. From its early beginnings, the castle was continually developed by successive rulers of Mann between the 13th and 16th century. The limestone walls dominated much of the surrounding landscape, serving as a point of dominance for the various rulers of the Isle of Man. By 1313, the original keep had been reinforced with towers to the west and south. In the 14th century, an east tower, gatehouses, and curtain wall were added.
After several more changes of hands the English and their supporters eventually prevailed. The English king Edward I Longshanks claimed that the island had belonged to the Kings of England for generations and he was merely reasserting their rightful claim to the Isle of Man.
The 18th century saw the castle in steady decay. By the end of the century it was converted into a prison. Even though the castle was in continuous use as a prison, the decline continued until the turn of the 20th century, when it was restored under the oversight of the Lieutenant Governor, George Somerset, 3rd Baron Raglan. Following the restoration work, and the completion of the purpose-built Victoria Road Prison in 1891, the castle was transferred from the British Crown to the Isle of Man Government in 1929.
Today it is run as a museum by Manx National Heritage, depicting the history of the Kings and Lords of Mann. Most rooms are open to the public during the opening season (March to October), and all open rooms have signs telling their stories. The exhibitions include a working medieval kitchen where authentic period food is prepared on special occasions and re-enactments of various aspects of medieval life are held on a regular basis, with particular emphasis on educating the local children about their history. Archaeological finds made during excavations in the 1980s are displayed and used as learning tools for visitors.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.