Castle Rushen is located in the Isle of Man's historic capital, Castletown. The castle is amongst the best examples of medieval castles in the British Isles, and is still in use as a court house, museum and educational centre.
The exact date of castle is unknown, although construction is thought to have taken place during the reigns of the late 12th century and early 13th century rulers of the Isle of Man – the Kings of Mann and the Isles. The original Castle Rushen consisted of a central square stone tower, or keep. The site was also fortified to guard the entrance to the Silver Burn. From its early beginnings, the castle was continually developed by successive rulers of Mann between the 13th and 16th century. The limestone walls dominated much of the surrounding landscape, serving as a point of dominance for the various rulers of the Isle of Man. By 1313, the original keep had been reinforced with towers to the west and south. In the 14th century, an east tower, gatehouses, and curtain wall were added.
After several more changes of hands the English and their supporters eventually prevailed. The English king Edward I Longshanks claimed that the island had belonged to the Kings of England for generations and he was merely reasserting their rightful claim to the Isle of Man.
The 18th century saw the castle in steady decay. By the end of the century it was converted into a prison. Even though the castle was in continuous use as a prison, the decline continued until the turn of the 20th century, when it was restored under the oversight of the Lieutenant Governor, George Somerset, 3rd Baron Raglan. Following the restoration work, and the completion of the purpose-built Victoria Road Prison in 1891, the castle was transferred from the British Crown to the Isle of Man Government in 1929.
Today it is run as a museum by Manx National Heritage, depicting the history of the Kings and Lords of Mann. Most rooms are open to the public during the opening season (March to October), and all open rooms have signs telling their stories. The exhibitions include a working medieval kitchen where authentic period food is prepared on special occasions and re-enactments of various aspects of medieval life are held on a regular basis, with particular emphasis on educating the local children about their history. Archaeological finds made during excavations in the 1980s are displayed and used as learning tools for visitors.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.