Srebrna Góra Fortress was constructed in 1765–1777 when the territory was part of the Kingdom of Prussia. The fort is one of Poland's official national Historic Monuments and has been declared a rare example of a surviving European 18th century mountain stronghold.
The fortress in Srebrna Góra was built by the order of Frederick II, the King of Prussia. It was designed by Prussian architect Ludwig Wilhelm Regeler, aided by a number of Prussian military engineers. Minor additional works took place in the following years, but no major alterations were made; construction of a nearby flanked fort was begun but was quickly abandoned. The complex is composed of six forts, several bastions, and associated elements. The main fort of the complex is the central Donżon Fort on the Warowna Góra hill.
The complex is located on the heights of the Sudety Mountains, a body which forms a natural border between the Kłodzko Valley and the Silesian Lowlands. It controls the passage through the Silver Valley (Przełęcz Srebrna or Silberbergpass). The fort could shelter a garrison of 4000 soldiers, supplied to survive a year-long siege. It was defended by 264 artillery pieces. The fortress was intended to guard a route linking Prussian territories with Bohemian lands in the south, and thus help repel any possible incursions from Austria.
The fortress was never captured by the enemy while besieged. On 28 June 1807 it successfully resisted a siege by Napoleonic forces during the War of the Fourth Coalition; this was the only time the fortress was the site of an active battle. By 1860 it was declared obsolete and the garrison reduced in size; it was abandoned as an active military stronghold in 1867. The fortress has survived till modern day with relatively little modernization or damage, contributing to its valuable status as a historical monument of its era. It served as a military training grounds, and by the end of the 19th century was already a tourist attraction, with a restaurant opened in the fort by 1885.
During World War II the fortress was used as a prison for Polish officers imprisoned by the Germans. In 1973 a military museum was opened in the Fort.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.