The Gunnebo estate consists of a main building from the end of the 18th century, built by John Hall, and drawn by city architect Carl Wilhelm Carlberg in a Neoclassical architecture. Gunnebo has one of Sweden's finest and best preserved baroque gardens. The 18th century interior was recreated in the 1950s, when Mölndal Municipality bought the estate. The last private owner, Mrs. Hilda Sparre, died in 1948. Several original furnishings were brought back to Gunnebo during the 20th century.

Both king Gustav III of Sweden and Marie Thérèse of France visited the Hall family at Gunnebo. King Gustav V visited Hilda Sparre at the House in the early 20th century. In June 2001 guests of the EU-summit in Gothenburg, among whom United States president George W Bush, visited Gunnebo House.

The parks are open to the public and the interior of the House can be seen with a guided tour. Guided tours are offered for visitors the year around and there is also a shop and a restaurant. Every summer, an open air theatre is held in the gardens.

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Details

Founded: 18th century
Category: Palaces, manors and town halls in Sweden
Historical period: The Age of Enlightenment (Sweden)

Rating

4.3/5 (based on Google user reviews)

User Reviews

Gavin Roberts (4 months ago)
Pretty house in a lovely setting with the most amazing cafe. The buffet lunch was exceptional. The best food we had whilst we were staying in Gothenburg.
Petra A N (6 months ago)
Beautiful place with great walking paths and a lake nearby. Very nice gift shop and cafe. Recommended
Giuseppe Moschetti (6 months ago)
Located close to the beautiful lake Rådasjön. Very nice for a relaxing walk
Алена Вишина (7 months ago)
Lovely place, the house itself is not large (and you can get in only on a guided tour several times a day) but the grounds around are really beautiful, a must see (especially during summer and fall time). The cafe serves good food and a nice selection of cakes;)
Lisa Svenningsson (9 months ago)
Beautiful settings, lovely to take a walk in the park. Nice Cafe with homegrown produce. Tours available, and they have market days occasionally. Good website.
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.