Sitting high atop a promontory that offers stunning views of the Mediterranean and the dramatic coastline below, the Villa Cimbrone is the crown laurel of Ravello.
Villa Cimbrone stands on a rocky outcrop known as 'Cimbronium', and it is from this landscape feature that the villa takes its name. The earliest references to the villa date back to the eleventh century AD, when the villa belonged to the Accongiogioco, a noble family. It later passed to the ownership of a wealthy and influential family, the Fusco, who are also recorded in 1291 as owning the local church of S. Angelo de Cimbrone.
At a later stage in its history the villa became part of the nearby monastery of Santa Chiara, and during this period of the villa's history the papal arms of Cardinal Della Rovere were placed on the old entrance gate. From the seventeenth century the villa's history is uncertain, but by the second half of the nineteenth century the villa had passed to the Amici family of Atrani.
The villa and the gardens were extensively renovated by a British nobleman, Lord Grimthorpe, in the early 20th century. With its expansive gardens and dramatic views, the villa is a popular place for weddings, honeymoons, and receptions. The villa is a private five-star hotel, but the gardens are open to the public and it ranks, perhaps, as the most memorable sight on the Amalfi Coast.
The villa’s belvedere, Terrazza dell’Infinito (Terrace of Infinity), is lined by a series of marble busts that on clear days sparkle against the bluesky above and the azure waters of the Mediterranean below.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.