Consecrated in the 11th century, the San Giovanni del Toro church was restored in 1715 after damage caused by an earthquake, and it was restored again in the 1990s. The church is named for John the Apostle and for 'Il Toro', the former name of the old aristocratic quarter in which it was built. It is especially noted for its pulpit, dating from around the 13th century.
The pulpit is notable for its mosaics, the decorative patterns of which inspired the interlocking patterns used by M.C. Escher, who spent time in Ravello in the 1920s and studied the church and the pulpit; Ravello was one of his favorite places. One mosaic is of Jonahe merging from the whale. An eagle supports the reading desk, and it holds a book opened to the first sentence of the Gospel of John. The 'beautiful' pulpit, which dates from the time of Roger I of Sicily, also contains Oriental pottery and Arabic script, and the steps up to it contain well-preserved frescoes with scenes from the life of Christ. There is a side chapel with a stucco figure of Saint Catherine and her wheel.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.