Castel Sant'Elmo is a medieval fortress located on a hilltop near the Certosa di San Martino, overlooking Naples. Documents date a structure at the site from 1275, from the era of Charles d'Anjou. Known originally as Belforte, it was likely a fortified residence, surrounded by walls, its entrance gate marked by two turrets. In 1329, using designs by the Sienese architect Tino da Camaino, king Robert of Naples enlarged the fortress.
The Angevin fortress was severely damaged in an earthquake in 1456, which demolished the external walls and the towers. The Aragonese rulers of Naples, and notably Don Pedro de Toledo, the first governor and cousin of the Viceroy, included it in a comprehensive scheme designed to fortify the land perimeter of the city, based on four separate strongholds. Castel Sant'Erasmo acquired its hexagonal star shape between 1537 and 1547 under the designs of Pedro Luis Escrivafrom Valencia, a military architect. The daring hexagonal shape drew fierce criticism from his contemporaries, to such an extent that in 1538 Escriva defended his design in a published Apologia.
The castle served as an autonomous military outpost, with a governor who had absolute authority over both military and civilian matters. Around the parade grounds were situated the officers' quarters, chaplain's house, a church (1547) designed by the Spanish architect Pietro Prato, and the surviving buildings from the Angevin Belforte. Don Pedro de Toledo's funerary monument (1588) is found in the sacristy of the church.
In 1587 the munitions depot of the castle was struck by lightning, and exploded, destroying the church, the chaplain's house and the officers' quarters. Reconstruction was carried out between 1599 and 1601 under the architect Domenico Fontana. Despite successive rebuildings over the centuries, the castle conserves its original structure. Built of volcanic tufa, it overlords over Naples, and ever since the famous Tavola Strozzi incident (late 15th century), for centuries it was a symbol and bastion of government oppression. In 1604 it was used to imprison Tommaso Campanella, branded as a heretic, and in 1799 the patriots of the Neapolitan Revolution, including Gennaro Serra, Mario Pagano and Luigia Sanfelice. With the departure of the Bourbon garrison in 1860, it remained a military prison until 1952, when the prison was transferred to Gaeta.
Today there are several permanent art exhibits in the castle. One of the most unique is the railing featuring an inscription in braille which was installed in 2015. The railing, which is more than 30 feet long and dotted with braille letters, is above the drill grounds on the northernmost wall of the castle near the west corner.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.