Valbuena Abbey was founded in 1143 by Estefanía, daughter of Count Ermengol V of Urgell, and settled from Berdoues Abbey in France, of the filiation of Morimond. Valbuena received a number of privileges shortly after its foundation, and flourished to the point where it was able to settle three daughter houses of its own.
In the 14th century a decline set in. Valbuena remained a daughter house of Berdoues until 1430, when the Castilian Cistercian Congregation was established; thereafter it was a daughter house of Poblet Abbey.
The abbey was dissolved under the anti-ecclesiastical Mendizábal government in 1835.
The church became a parish church. The conventual buildings passed into private ownership and were eventually acquired by a Baron Kessel, who sold them to Juan Pardo, who looked after them until 1950, when the Instituto Nacional de Colonización acquired the site and buildings for settlement purposes. In 1967 the Archdiocese of Valladolid took possession of the monastery buildings, and in 1990 leased them to the foundation Las Edades del Hombre.
The building complex, which was more or less complete by 1230, and most of which still stands, comprises the church, built from 1149 onwards, the conventual buildings, the guest wing, dormitories and the lay brothers' area. The groin-vaulted church of three aisles in four bays, with a barrel-vaulted transept and a crossing which was heightened in the Renaissance and covered with a cupola, is largely in accordance with the usual Cistercian building practice. The church also has an unusually large semi-circular apse, between two smaller semi-circular side apses, and also a rectangular side-chapel, built in 1165. The nave is in the early Gothic style. The west front has a portal with a pointed arch and several archivolts, over which is a large oculus in a blind arch.
The chapter house and the day room are also groin-vaulted, while the refectory on the south side of the complex has a pointed barrel-vaulted roof of four bays. The cloister has two storeys. The Capilla San Pedro chapel contains an arcosolium with a mural of a king from the period of around 1270. The lay brothers' wing was removed in the Renaissance to make room for a second courtyard. By the river stand the ruins of the abbot's house, dating from the 16th century.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.