The Cathedral of Our Lady of the Holy Assumption in Valladolid was originally designed as the largest cathedral in Europe. Initially planned as the Cathedral for the capital city of Spain, ultimately, only 40-45% of the intended project was completed, due to lack of resources after the court moved towards Madrid, and the expenses caused by the difficult foundations of the church.
The structure has its origins in a late Gothic collegiate church, which begun in the late 15th century. The cathedral that was planned would have been immense. When construction started, Valladolid was the de facto capital of Spain, housing king Philip II and his court. However, due to strategic and geopolitical reasons, by the 1560s the capital was moved to Madrid and construction funds were largely cut. Thus the cathedral was not finished according to Herrera's design, and further modified during the 17th and 18th centuries, such as the addition to the top of the main façade, a work by Churriguera.
Its main façade is made up of two stretches of columns: the lower part, the work of Juan de Herrera, and the upper, that of Churriguera, which is characterised by its abundant decorative elements. The inside of the building is split up into three naves with side chapels between the butresses. The 15th century altarpiece is the work of Juan de Juni and depicts figures of saints. The Cathedral Museum is also to be found inside the church.References:
Soave castle was built in 934 to protect the area against the Hungarian invasions. It was remodelled by Cansignorio of the Scaliger family in the mid-1300s. in 1365 Cansignorio had the town walls erected and the Town hall was built in the same year.
The castle underwent various vicissitudes until, having lost its strategic importance, it was sold on the private market in 1596. In 1830 it was inherited by Giulio Camuzzoni who restored the manor and in particular the surroundings walls (with is twenty-four towers), the battlements and living-quarters.
Soave castle is a typical medieval military edifice, commanding the neighbourhood of the city from the Tenda Hill. It comprises a mastio (donjon) and three lines of walls forming three courts of different size. The outer line, with a gate and a draw bridge, is the most recent, built by the Venetians in the 15th century. It houses the remains of a small church from the 10th century.
The second and larger court, the first of the original castle, is called della Madonna for a fresco portraying St. Mary (1321). Another fresco is visible after the door leading to the inner court, and portrays a Scaliger soldier. The mastio is the most impressive feature of the castle. Bones found within showed it was used also as prison and place of torture.
The House called del Capitano (the Scaliger commander) houses Roman coins, weapons parts, medals and other ancient remains found during the most recent restoration. Adjacent is a bedroom with a 13th-century fresco with St. Mary and Madeleine and a dining room with medieval kitchenware. Another room houses the portraits of the most famous Scaliger figures: Mastino I, Cangrande, Cansignorio and Taddea da Carrara, wife of Mastino II; the portrait of Dante Alighieri testify an alleged sojourn of the poet in the castle.