Under the current Santa María La Antigua church foundations have been found remains of a Roman hypocaustum. The church was likely founded in 1095 by Count Pedro Ansúrez, although there are no remains of this original structure. The oldest parts of the current temple date to the late 12th century: the gallery in the northern side of the building and the tower, both in Romanesque style. The tower, one of the symbols of Valladolid, has four floors, the upper three featuring windows, and a pyramidal top.
The naves and sanctuary of the church were rebuilt in the 14th century in Gothic style, following the style of Burgos Cathedral. The church has three aisles, with three polygonal apses and a transept. The nave and the aisles are rib vaulted.
Due to a poor foundation, too next to the Esgueva River, and the increasing size of the parish population, the building underwent successive additions and reparations: in the mid-16th century, architect Rodrigo Gil de Hontañón restored the collapsing building, adding buttresses and several windows.
Also from this period date the high altar retablo, by Juan de Juni (1550-1562; now in the Valladolid Cathedral). Several Baroque altarpieces were executed for the church's interior during the 17th and 18th centuries, hiding the original Gothic appearance.
In the early 20th century the building was extensively restored and rebuilt in order to show its original Romanesque-Gothic appearance, following the doctrines of the French architect Eugène Emmanuel Viollet-le-Duc.References:
The Temple of Portunus or Temple of Fortuna Virilis ('manly fortune') is one of the best preserved of all Roman temples. Its dedication remains unclear, as ancient sources mention several temples in this area of Rome, without saying enough to make it clear which this is.
The temple was originally built in the third or fourth century BC but was rebuilt between 120-80 BC, the rectangular building consists of a tetrastyle portico and cella, raised on a high podium reached by a flight of steps, which it retains.
The temple owes its state of preservation to its being converted for use as a church in 872 and rededicated to Santa Maria Egyziaca (Saint Mary of Egypt). Its Ionic order has been much admired, drawn and engraved and copied since the 16th century. The original coating of stucco over its tufa and travertine construction has been lost.