Plaza Mayor is a central plaza in the city of Valladolid. Its existence became defined in the mid-thirteenth century when the market moved from the Plaza de Santa Maria to Market Square, which since the early sixteenth century has been called Plaza Mayor. Individual unions were installed around it, as was the Convent of San Francisco, until 1499 the most important building in the vicinity. After that date, as mandated by the Catholic Monarchs it was the House of the Municipality who presided over the life of the city.
After its destruction in 1561 because of a serious fire at the old Market Square and thanks to the direct intervention of Philip II, it became urbanized as a meeting place and marketplace of traders who came from all parts of the Kingdom.
The reconstruction project was the work of Francisco de Salamanca, royal architect. He gave birth to the modern town square in urban planning — a milestone for Spain and the Americasthat it is a great contribution of the Spanish Baroque architecture.
The Plaza Mayor of Valladolid is the first great plaza in Spain, and closed with arcades, is a space intended for use as a market and as a backdrop to the public celebrations so dear to the Habsburg monarchy. It had been designed with large balconies to facilitate the viewing of the shows, and served as a model, since the seventeenth century, for many others in Spain and South America, even having an impact in Italy.
Traditionally the houses of the square had a height of three storeys. The distribution of voids was hierarchical. The first floor had balconies, the second railings, and the third, simple windows. This original appearance was changed over time until all floors had balconies. The Plaza Mayor is presided over by a statue of the founder of the city, Pedro Ansúrez constructed in 1903 by Aurelio Carretero.
On the northern flank of its rectangular layout, stands the Casa Consistorial, seat of the Town Hall of Valladolid. The previous building, dating from the sixteenth century survived until 1879, but had been reformed over time. For example, in the mid-nineteenth century, a tower for a clock was built in the center of the facade. The existing building had a long beginning. First there was a design contest for the new Consistory, a project won by the local architect Antonio Iturralde, who presented a draft that, while the winner, not well liked. Iturralde died in 1897 and Enrique Repullés and Vargas took over the work. The Iturralde draft was discarded and a new building of Beaux-Arts architecture was constructed and completed in 1908.
Facing this building is Zorrilla Theater, opened in 1884. It is situated on the original site of the Convent of San Francisco, the immense monastery, totally demolished between 1835 and 1850.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.