Palacio de las Dueñas (Palace of the Dukes of Alba) currently belongs to the House of Alba. It was built in the late 15th century in the Renaissance style with Gothic and Moorish influences. The palace is one of the major historic homes in the city of great architectural and artistic heritage. Today it is one of the most visited monuments in Seville.
The palace consists of a series of courtyards and buildings. The style ranges from Gothic art-Moorish to the Renaissance, with local influences in the bricks, shingles, tiles, whitewashed walls and pottery.
The palace is fitted with long passageways. At the top floor of the palace, there is a room whose ceiling is of an octagonal shape and is decorated with alfarje gold.
The entry door is of Mudéjar style. The palace was fitted with eleven patios, nine fountains, and over 100 marble columns. Of these, one patio remains, and it is surrounded by a gallery with columns. The Andalusian patio dominates the exterior of the property. At the entrance to the palace, in the main archway, there is the shield of the Duchy of Alba in tiles, made by Triana of Seville in the 17th or 18th century. The gardens also have very important unique species.
The courtyard garden, divided into four parts in keeping with its traditional Islamic style, includes tiled paths and a centralized raised fountain. The palace garden's lemon trees and fountain are recurring symbols in Machado's poetry. Behind the garden is a courtyard surrounded by arches with columns of white marble. The arch situated west of the courtyard in the lower galleries gives access to the building that was used as the chapel palace. The 15th-century chapel has fared badly during restorations. The chapel's altar contains several tiles with metallic reflections, typical of 16th-century Seville ceramics.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.