The Lebrija Palace or Palacio de la Condesa de Lebrija is a house-museum in central Seville. Dating to the 16th century and remodeled between the 18th and 20th centuries, the palace is characterised by its collection of art, including Roman mosaics and other antiquities as well as Asian art, paintings by European masters and European decorative arts.
The interior of the palace is decorated in a palette of architectural styles, with elements such as Moorish arches, Plateresque decoration, tilework retrieved from ruined convent, a coffered ceiling from a 16th-century palace and a Renaissance frieze, while its façade and layout reflect typical Andalusian style.
The collection includes Roman mosaics that pave almost the entire ground floor. Of particular note is the mosaic depicting the god Pan that was discovered on land owned by the countess and can be found in the palace’s central courtyard. The mosaic’s central medallion represents Pan, who is serenading Galatea on his flute, while the other medallions show the love stories of Zeus and the corners contain representations of the four seasons.References:
The Château d'Olhain is probably the most famous castle of the Artois region. It is located in the middle of a lake which reflects its picturesque towers and curtain walls. It was also a major stronghold for the Artois in medieval times and testimony to the power of the Olhain family, first mentioned from the 12th century.
The existence of the castle was known early in the 13th century, but the present construction is largely the work of Jean de Nielles, who married Marie d’Olhain at the end of the 15th century.
The marriage of Alix Nielles to Jean de Berghes, Grand Veneur de France (master of hounds) to the King, meant the castle passed to this family, who kept it for more than 450 years. Once confiscated by Charles Quint, it suffered during the wars that ravaged the Artois. Besieged in 1641 by the French, it was partly demolished by the Spaniards in 1654, and finally blown-up and taken by the Dutch in 1710. Restored in 1830, it was abandoned after 1870, and sold by the last Prince of Berghes in 1900. There is also evidence that one of the castles occupants was related to Charles de Batz-Castelmore d'Artagnan, the person Alexandre Dumas based his Three Musketeers charictor d'Artagnan on.
During the World War I and World War II, the castle was requisitioned first by French troops, then Canadian and British soldiers. The current owner has restored the castle to its former glory.