The Archeological Museum of Seville is housed in the Pabellón del Renacimiento, one of the pavilions designed by the architect Aníbal González. These pavilions at the Plaza de España were created for the Ibero-American Exposition of 1929.
The museum's basement houses the El Carambolo treasure, discovered in Camas in 1958. The treasure comprises 2950 grams of 24 carat gold and consists of golden bracelets, a golden chain with pendant, buckles, belt- and forehead plates. Some regard the El Carambolo treasure as proof of the Tartessian roots of Seville. This is, however, disputed because the treasure includes a small figurine of Astarte, a Phoenician goddess.
Other halls of the museum contain findings from the Roman era, many of which are from the nearby Roman city of Itálica. The Itálica exhibits include mosaics, statues (including the famous Venus of Itálica), and busts of the emperors Augustus, Vespasianus, Trajan and Hadrian.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.