In the 16th century, the authorities of Córdoba decided to improve the condition of the entrance to the city due to the deteriorated state of the existing gate. With this goal in mind, on February 18, 1572, mayor Alonso Gonzalez de Arteaga issued the order to build the Bridge Gate.
Reasons given focused on the fact that it was one of the city's main gates, handling a high volume of movement in terms of both people and supplies. In addition to enlarging the gateway, the city's officials wished to improve the artistic merits of the gate as part of an urban renewal.
Bridge Gate construction was started by Francisco de Montalbán although few months later, in 1571, Hernán Ruiz III which took over the works. Complications arose with respect to the design of the door, leading to a spike in the expected cost: the initial budget of 1400 ducats tripled to 3100. Work apparently stopped for a four year period until 1576, when Hernán Ruiz resumed his work. Possibly due to the indebtedness of the City Council of Cordoba and general lack of funds, the project remained was unfinished.
In 1912, under the reign of Alfonso XIII, the area in which the Puerta del Puente was located was stripped of its walls and rebuilt in 1928 as a memorial gate, repeating on the inner side forms the outer side. In the late fifties the level of all the land bordering the door, until the original ground level was restored, when neighbouring buildings were lowered.
In the early twenty-first century, the first restoration of the Puerta del Puente took place, at which point archaeological excavations took place. Further restorative work continued in 2005.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.