Nuestra Señora de la Asunción originates from the church of Santa Maria, which was built above the medieval mosque, near the town's Alcazaba, after the area had been conquered by Ferdinand III of Castile. The edifice is in Gothic-Renaissance style, with ogival arcades and pillars attributed to Hernán Ruiz the Elder, Hernán Ruiz the Younger (1556) and Hernán Ruiz III. The Gothic cross-vault ceiling is the oldest part of the church.
The Renaissance high altar (16th century) is attributed to Guillermo de Orta and Andrés de Castillejo, with paintings by Leonardo Enríquez de Navarra. Next to the altar is a small hexagonal chapel in Baroque style, from the early 18th century. Other artworks include the Roccoco case by the Cordoban goldsmith Damián de Castro, a large canvas of the Battle of Lepanto and a side Baroque portal in pink marble.
The tilting tower, begun in 1611 and finished in 1788, has a height of 55 meters.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.