The Castello d'Albertis was the home of sea captain Enrico Alberto d'Albertis, and was donated to the city of Genoa on his death in 1932. D'Albertis designed the castle in the style of an architectural collage with a Gothic revival appearance inspired by palaces in Florence and castles of Aosta Valley. It currently houses the Museo delle Culture del Mondo (Museum of World Cultures), inaugurated in 2004.
Erected between 1886 and 1892 under the supervision of Gothic Revivalist Alfredo D'Andrade, the castle is located on the site of a 13th-century fortified area, which had been reinforced in the 16th century. Alberto not only based his design on the city's foundation, he incorporated and preserved the foundations of the bastion and one of the turrets.
The museum includes ethnographic and archaeological findings collected by both Enrico and Luigi Maria d'Albertis during their trips to Africa, America (from Canada to Tierra del Fuego), New Guinea and Oceania. There is a large number of weapons from Sudan and the Zambesi area Chinese spears and European halberds. There are several exemplars of Canadian and American plains indigenous people, made in buffalo and deer leather and covered by porcupine thorns; also findings belonging to the Maya civilization from Honduras are present.
It also exhibits models of ships and yachts, nautical instruments, photographs and the volumes of d'Albertis personal library.
A separate section dedicated to music (the Museo delle Musiche dei Popoli, 'Museum of Peoples' Music') exhibits musical instruments from the whole world.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.