The Abbey of San Fruttuoso is on the Italian Riviera between Camogli and Portofino. The abbey is located in a small bay beneath a steep wooded hill. It can only be reached by sea or by hiking trails, there is no road access.
The abbey is dedicated to Saint Fructuosus, a third-century bishop of Tarraco (now Tarragona in north-east Spain) who was martyred under the persecutions of the Roman Emperor Valerian. In the eighth century the relics of Fructuosus were moved here by Greek monks. St Fructuosus's ashes are still kept at the abbey.
The abbey was founded by the Order of Saint Benedict and most of its buildings date to the tenth and eleventh centuries. The original tenth-century church tower had a Byzantine-style spherical top; this was later replaced by the present octagonal tower. The cloisters are twelfth century and were modified in the sixteenth century by Andrea Doria. The building facing the sea was built in the thirteenth century to a similar design to the noble palaces of Genoa.
The abbey contains tombs of members of the noble Genoan Doria family dating from 1275 to 1305, along with other tombs and an ancient Roman sarcophagus. The Doria tombs have black and white stripes, typical of Ligurian architecture of the period.
Above the abbey stands Torre Doria, a watchtower erected in 1562 by the family of Admiral Andrea Doria (1466–1560), who defended the abbey and its supply of fresh water from Barbary pirates.
In the 17th century the abbey went into decline, and parts of it were used for keeping sheep. In 1730 Camillo Doria restored the abbey, and returned the church to liturgical use. Some of the buildings were damaged by flooding in 1915, these were restored by the Italian state in 1933. In 1983 the Doria Pamphili family donated the San Fruttuoso complex to the heritage organisation Fondo Ambiente Italiano.
The underwater statue Christ of the Abyss was installed in the sea off San Fruttuoso in 1954, at a depth of 17 metres.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.