The Abbey of San Fruttuoso is on the Italian Riviera between Camogli and Portofino. The abbey is located in a small bay beneath a steep wooded hill. It can only be reached by sea or by hiking trails, there is no road access.
The abbey is dedicated to Saint Fructuosus, a third-century bishop of Tarraco (now Tarragona in north-east Spain) who was martyred under the persecutions of the Roman Emperor Valerian. In the eighth century the relics of Fructuosus were moved here by Greek monks. St Fructuosus's ashes are still kept at the abbey.
The abbey was founded by the Order of Saint Benedict and most of its buildings date to the tenth and eleventh centuries. The original tenth-century church tower had a Byzantine-style spherical top; this was later replaced by the present octagonal tower. The cloisters are twelfth century and were modified in the sixteenth century by Andrea Doria. The building facing the sea was built in the thirteenth century to a similar design to the noble palaces of Genoa.
The abbey contains tombs of members of the noble Genoan Doria family dating from 1275 to 1305, along with other tombs and an ancient Roman sarcophagus. The Doria tombs have black and white stripes, typical of Ligurian architecture of the period.
Above the abbey stands Torre Doria, a watchtower erected in 1562 by the family of Admiral Andrea Doria (1466–1560), who defended the abbey and its supply of fresh water from Barbary pirates.
In the 17th century the abbey went into decline, and parts of it were used for keeping sheep. In 1730 Camillo Doria restored the abbey, and returned the church to liturgical use. Some of the buildings were damaged by flooding in 1915, these were restored by the Italian state in 1933. In 1983 the Doria Pamphili family donated the San Fruttuoso complex to the heritage organisation Fondo Ambiente Italiano.
The underwater statue Christ of the Abyss was installed in the sea off San Fruttuoso in 1954, at a depth of 17 metres.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.