The Castello d'Albertis was the home of sea captain Enrico Alberto d'Albertis, and was donated to the city of Genoa on his death in 1932. D'Albertis designed the castle in the style of an architectural collage with a Gothic revival appearance inspired by palaces in Florence and castles of Aosta Valley. It currently houses the Museo delle Culture del Mondo (Museum of World Cultures), inaugurated in 2004.
Erected between 1886 and 1892 under the supervision of Gothic Revivalist Alfredo D'Andrade, the castle is located on the site of a 13th-century fortified area, which had been reinforced in the 16th century. Alberto not only based his design on the city's foundation, he incorporated and preserved the foundations of the bastion and one of the turrets.
The museum includes ethnographic and archaeological findings collected by both Enrico and Luigi Maria d'Albertis during their trips to Africa, America (from Canada to Tierra del Fuego), New Guinea and Oceania. There is a large number of weapons from Sudan and the Zambesi area Chinese spears and European halberds. There are several exemplars of Canadian and American plains indigenous people, made in buffalo and deer leather and covered by porcupine thorns; also findings belonging to the Maya civilization from Honduras are present.
It also exhibits models of ships and yachts, nautical instruments, photographs and the volumes of d'Albertis personal library.
A separate section dedicated to music (the Museo delle Musiche dei Popoli, 'Museum of Peoples' Music') exhibits musical instruments from the whole world.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.