During the Early Middle Ages there was a small fort and church on the top of the Thun castle hill. The castle was built between 1180 and 1190 by Duke Berthold V of Zähringen, who constructed the still preserved keep to the level of the Knights' Hall (Rittersaal). The 14 m tall Knights' Hall was built as the centerpiece of a monument to Zähringen power. However, the family never lived in the castle, preferring Burgdorf Castle.
In 1218 it was inherited by the House of Kyburg, who built the upper levels above the Zähringen castle. A quarrel over who would rule the southern Kyburg lands led, in 1322, to Eberhard II von Kyburg murdering his brother Hartmann II at the castle. To protect his newly acquired land from the Habsburgs Eberhard II then sold them to Bern and was promptly given them back as a fief. The Kyburgs ruled over the region for nearly two centuries until a failed raid by Rudolf II on Solothurn, in 1382, started the Burgdorferkrieg. After several decisive Bernese victories the Kyburgs were forced to concede an unfavorable peace. In 1384 Bern bought Thun and Burgdorf, the most important cities of the Kyburg lands. The castle came under Bernese control and became the seat of their local administration.
The massive roof (1430–36) comes from the Bernese period. Due to the lack of residences in the castle, in 1429, an administrative and residential wing was added to the west of the keep, built in late Gothic style, and known as the 'new castle'. The castle was the seat of the local court and since at least the 17th century there was a prison under the roof of the donjon. In 1886 a new prison was built on the castle grounds. Two years later, in 1888, the museum opened in the castle. For a time the jailer was also the ticket seller and guard for the museum.
The castle museum is housed in the five floors of the tower, and includes cultural and historic displays showing the development of the region over some 4,000 years. It is open daily between February and October, and on Sundays only for the rest of the year. The great hall is used for concerts or plays, and can be hired for private events.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.