The original small church was built from 1341 to 1346 to replace the old fort on the site. From 1480 to 1483 the city added a tower and from 1493 to 1504, a new nave was added.
After the Protestant Reformation in 1529, the Nydeggkirche was transformed into a warehouse for barrels, timber and grain, but in 1566 again served as worship space. Beginning in 1566 it was cleaned out and minor renovations made to the windows and walls. However, in 1568 the bell tower roof caught fire and was destroyed. The new roof was finished and the damaged clock work repaired by the end of May 1571. The large wrought iron cross which tops the main spire was built by Caspar Brükessel during the same time. The current tower's appearance mostly dates back to the 1571 reconstruction.
The later changes to the tower were fairly minor. For example, in 1625 four small embrasures or firing slits were broken out of the tower to help defend the city gate and in 1631 eight copper waterspouts were added to the roof.
Until 1721 it was a branch church of the Münster of Bern. Today's congregation forms part of the Reformed Churches of the Canton Bern-Jura-Solothurn.
In 1863, the church was extended to the west and an entrance from the Nydeggbrücke (Nydegg Bridge) was added. Then, from 1951 to 1953 a total renovation happened.
In 1956, bronze reliefs by Perincioli were inspired by medieval role models in front of San Zeno in Verona and the Cathedral of Hildesheim.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.