The original small church was built from 1341 to 1346 to replace the old fort on the site. From 1480 to 1483 the city added a tower and from 1493 to 1504, a new nave was added.
After the Protestant Reformation in 1529, the Nydeggkirche was transformed into a warehouse for barrels, timber and grain, but in 1566 again served as worship space. Beginning in 1566 it was cleaned out and minor renovations made to the windows and walls. However, in 1568 the bell tower roof caught fire and was destroyed. The new roof was finished and the damaged clock work repaired by the end of May 1571. The large wrought iron cross which tops the main spire was built by Caspar Brükessel during the same time. The current tower's appearance mostly dates back to the 1571 reconstruction.
The later changes to the tower were fairly minor. For example, in 1625 four small embrasures or firing slits were broken out of the tower to help defend the city gate and in 1631 eight copper waterspouts were added to the roof.
Until 1721 it was a branch church of the Münster of Bern. Today's congregation forms part of the Reformed Churches of the Canton Bern-Jura-Solothurn.
In 1863, the church was extended to the west and an entrance from the Nydeggbrücke (Nydegg Bridge) was added. Then, from 1951 to 1953 a total renovation happened.
In 1956, bronze reliefs by Perincioli were inspired by medieval role models in front of San Zeno in Verona and the Cathedral of Hildesheim.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.