The first church on this site of Bern Minster probably was a small chapel built during the founding of Bern (1191). By the 15th century, Bern had expanded and become a major city-state north of the Alps. To celebrate their growing power and wealth, the construction of new church began in 1421.
During the first phase, Matthäus Ensinger, a foreman from Ulm, was in charge of the project. The construction took over 150 years, and generations of foremen, sculptors and stonemasons worked on the important monument. It was hard work and there were strict rules: the main goal of late Gothic architecture was to have a building of predetermined dimension and with as much light as possible. The craftsmen achieved an impressive space by connecting the entire inside space, using a special building technique and carefully proportioning the windows.
In the 16th century, the third stage of the build came to an end. The spire was only 50 metres high, so the Minster looked quite different among the houses of the Old City. Construction had to stop because the ground was not stable and there were some financial problems. Later on, the impressive spire was built in the Gothic style and reached its final height. Switzerland’s largest late medieval church was completed in 1893. It was made almost completely out of Bernese sandstone, with the exception of the top part of the spire.
The most famous feature of the Bernese Minster is the exceptional main portal. Erhart Küng, a sculptor and foreman from Westphalia, made the sandstone masterpiece that depicts the Last Judgement. There are 294 sculptures: prophets, angels with trumpets, Jesus Christ as Judge of the Nations, Lady Justice (added after the Reformation), martyrs and damned souls showed the believers what the day of the Last Judgement would look like.
You can visit the Minster to enjoy the unique ambiance inside the building, listen to the sound of the organs, attend a protestant service, look at the medieval architecture or enjoy the view from the platform at the top of the spire – the church and the spire of the Minster are open daily, year-round. Make sure you check the official opening hours.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.