The Greek Catholic Cathedral of St John the Baptist in Przemyśl serves as the mother church of the Ukrainian Greek Catholic Archeparchy of Peremyshl-Warsaw.
The church was built in the 17th century by the Jesuit order and dedicated to St. Ignatius. After Przemyśl fell under Austrian rule and the suppression of the order in 1773 it slowly fell into ruins and in 1820 was closed by Austrians and turned into a storehouse. With the gradual democratization of region in the second half of the 19th century plans appeared to restore the church, finally carried out in 1903 and in 1904 the former Jesuit church was reconsecrated in 1904 as Sacred Heart of Jesus. After World War II it served as a garrison church and also offered a weekly Mass in the Byzantine Rite for Ukrainian Catholics whose church had been closed by the communist government.
In 1991 the church was subject of a controversy, when the Roman Catholic Church (with personal oversight by pope John Paul II) decided to donate the building to the Greek Catholic population in Przemyśl, to serve as the cathedral of the Archeparchy of Peremyshl-Warsaw in place of the Carmelite Church, which after World War II has returned to the Carmelites. After this decision, local Polish nationalists blockaded the entrance to the Greek Catholics and organized a hunger strike. After several weeks of debate and negotiation they desisted.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.