History of Finland between 500 BC - 1149
The Iron Age in Finland is considered to last from c.500 BC until c.1150 AD when the Swedish Conquest of Finland was complete and written history in Finland (the Middle Ages) begins. There is no evidence of any form of writing in Finland, runes or otherwise, prior to the Swedish Conquest and all evidence regarding Finnish history prior to Swedish involvement is based on archaeological findings and the scant records of contemporaneous third parties. The three main dialectal groups of Finnish-speakers, (proper-)Finns, Tavastians and Karelians probably emerged during the Iron Age. The archaeological culture of the Åland Islands had a more prominent Swedish character than the rest of the country, possibly suggesting Scandinavian settlement.
The earliest findings of imported iron blades and local iron working appear in 500 BC. From about 50 AD, there are indications of a more intense long-distance exchange of goods in coastal Finland. Inhabitants exchanged their products, presumably, mostly furs, for weapons and ornaments with the Balts and the Scandinavians as well as with the peoples along the traditional eastern trade routes. The existence of richly furnished burials, usually with weapons, suggests that there was a chiefly elite in southern and western parts of the country. Hillforts spread over most of southern Finland at the end of the Iron and early Medieval Age. There is no commonly accepted evidence of early state formations in Finland, and the presumedly Iron Age origins of urbanisation are contested.
In the early Iron Age a word similar to Finns appeared for the first time in a written document when Tacitus mentions Fenni in his Germania. However, it is unclear if these have anything to do with the present Finnish people. The first Scandinavian documents mentioning a "land of the Finns" are two runestones: (Söderby, Sweden, with the inscription finlont (U 582 †), Gotland with the inscription finlandi (G 319 M) dating from the 11th century.
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.